Deprecated: preg_match(): Passing null to parameter #2 ($subject) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/lbfactory/LBFactory.php on line 759
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 262
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: Return type of MediaWiki\Session\PHPSessionHandler::open($save_path, $session_name) should either be compatible with SessionHandlerInterface::open(string $path, string $name): bool, or the #[\ReturnTypeWillChange] attribute should be used to temporarily suppress the notice in /data/TRAUMKULT/Lexikon-Traumkultur/includes/session/PHPSessionHandler.php on line 181
Deprecated: Return type of MediaWiki\Session\PHPSessionHandler::close() should either be compatible with SessionHandlerInterface::close(): bool, or the #[\ReturnTypeWillChange] attribute should be used to temporarily suppress the notice in /data/TRAUMKULT/Lexikon-Traumkultur/includes/session/PHPSessionHandler.php on line 196
Deprecated: Return type of MediaWiki\Session\PHPSessionHandler::read($id) should either be compatible with SessionHandlerInterface::read(string $id): string|false, or the #[\ReturnTypeWillChange] attribute should be used to temporarily suppress the notice in /data/TRAUMKULT/Lexikon-Traumkultur/includes/session/PHPSessionHandler.php on line 210
Deprecated: Return type of MediaWiki\Session\PHPSessionHandler::write($id, $dataStr) should either be compatible with SessionHandlerInterface::write(string $id, string $data): bool, or the #[\ReturnTypeWillChange] attribute should be used to temporarily suppress the notice in /data/TRAUMKULT/Lexikon-Traumkultur/includes/session/PHPSessionHandler.php on line 238
Deprecated: Return type of MediaWiki\Session\PHPSessionHandler::destroy($id) should either be compatible with SessionHandlerInterface::destroy(string $id): bool, or the #[\ReturnTypeWillChange] attribute should be used to temporarily suppress the notice in /data/TRAUMKULT/Lexikon-Traumkultur/includes/session/PHPSessionHandler.php on line 344
Deprecated: Return type of MediaWiki\Session\PHPSessionHandler::gc($maxlifetime) should either be compatible with SessionHandlerInterface::gc(int $max_lifetime): int|false, or the #[\ReturnTypeWillChange] attribute should be used to temporarily suppress the notice in /data/TRAUMKULT/Lexikon-Traumkultur/includes/session/PHPSessionHandler.php on line 365
Deprecated: strcasecmp(): Passing null to parameter #1 ($string1) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/session/CookieSessionProvider.php on line 101
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 262
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: Return type of MediaWiki\Session\Session::count() should either be compatible with Countable::count(): int, or the #[\ReturnTypeWillChange] attribute should be used to temporarily suppress the notice in /data/TRAUMKULT/Lexikon-Traumkultur/includes/session/Session.php on line 593
Deprecated: Return type of MediaWiki\Session\Session::current() should either be compatible with Iterator::current(): mixed, or the #[\ReturnTypeWillChange] attribute should be used to temporarily suppress the notice in /data/TRAUMKULT/Lexikon-Traumkultur/includes/session/Session.php on line 599
Deprecated: Return type of MediaWiki\Session\Session::next() should either be compatible with Iterator::next(): void, or the #[\ReturnTypeWillChange] attribute should be used to temporarily suppress the notice in /data/TRAUMKULT/Lexikon-Traumkultur/includes/session/Session.php on line 611
Deprecated: Return type of MediaWiki\Session\Session::key() should either be compatible with Iterator::key(): mixed, or the #[\ReturnTypeWillChange] attribute should be used to temporarily suppress the notice in /data/TRAUMKULT/Lexikon-Traumkultur/includes/session/Session.php on line 605
Deprecated: Return type of MediaWiki\Session\Session::valid() should either be compatible with Iterator::valid(): bool, or the #[\ReturnTypeWillChange] attribute should be used to temporarily suppress the notice in /data/TRAUMKULT/Lexikon-Traumkultur/includes/session/Session.php on line 623
Deprecated: Return type of MediaWiki\Session\Session::rewind() should either be compatible with Iterator::rewind(): void, or the #[\ReturnTypeWillChange] attribute should be used to temporarily suppress the notice in /data/TRAUMKULT/Lexikon-Traumkultur/includes/session/Session.php on line 617
Deprecated: Return type of MediaWiki\Session\Session::offsetExists($offset) should either be compatible with ArrayAccess::offsetExists(mixed $offset): bool, or the #[\ReturnTypeWillChange] attribute should be used to temporarily suppress the notice in /data/TRAUMKULT/Lexikon-Traumkultur/includes/session/Session.php on line 633
Deprecated: Return type of & MediaWiki\Session\Session::offsetGet($offset) should either be compatible with ArrayAccess::offsetGet(mixed $offset): mixed, or the #[\ReturnTypeWillChange] attribute should be used to temporarily suppress the notice in /data/TRAUMKULT/Lexikon-Traumkultur/includes/session/Session.php on line 646
Deprecated: Return type of MediaWiki\Session\Session::offsetSet($offset, $value) should either be compatible with ArrayAccess::offsetSet(mixed $offset, mixed $value): void, or the #[\ReturnTypeWillChange] attribute should be used to temporarily suppress the notice in /data/TRAUMKULT/Lexikon-Traumkultur/includes/session/Session.php on line 656
Deprecated: Return type of MediaWiki\Session\Session::offsetUnset($offset) should either be compatible with ArrayAccess::offsetUnset(mixed $offset): void, or the #[\ReturnTypeWillChange] attribute should be used to temporarily suppress the notice in /data/TRAUMKULT/Lexikon-Traumkultur/includes/session/Session.php on line 661
Deprecated: Message implements the Serializable interface, which is deprecated. Implement __serialize() and __unserialize() instead (or in addition, if support for old PHP versions is necessary) in /data/TRAUMKULT/Lexikon-Traumkultur/includes/language/Message.php on line 161
Deprecated: MapCacheLRU implements the Serializable interface, which is deprecated. Implement __serialize() and __unserialize() instead (or in addition, if support for old PHP versions is necessary) in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/MapCacheLRU.php on line 38
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: RawMessage implements the Serializable interface, which is deprecated. Implement __serialize() and __unserialize() instead (or in addition, if support for old PHP versions is necessary) in /data/TRAUMKULT/Lexikon-Traumkultur/includes/RawMessage.php on line 0
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: Return type of MobileFrontend\Features\UserModes::getIterator() should either be compatible with IteratorAggregate::getIterator(): Traversable, or the #[\ReturnTypeWillChange] attribute should be used to temporarily suppress the notice in /data/TRAUMKULT/Lexikon-Traumkultur/extensions/MobileFrontend/includes/Features/UserModes.php on line 45
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Warning: Cannot modify header information - headers already sent by (output started at /data/TRAUMKULT/Lexikon-Traumkultur/includes/session/PHPSessionHandler.php:35) in /data/TRAUMKULT/Lexikon-Traumkultur/includes/changes/ChannelFeed.php on line 95
Warning: Cannot modify header information - headers already sent by (output started at /data/TRAUMKULT/Lexikon-Traumkultur/includes/session/PHPSessionHandler.php:35) in /data/TRAUMKULT/Lexikon-Traumkultur/includes/changes/ChannelFeed.php on line 100
Notice: Headers already sent, should send headers earlier than OutputPage->sendCacheControl [Called from MediaWiki\HeaderCallback::warnIfHeadersSent in /data/TRAUMKULT/Lexikon-Traumkultur/includes/HeaderCallback.php at line 89] in /data/TRAUMKULT/Lexikon-Traumkultur/includes/debug/MWDebug.php on line 430
Warning: Cannot modify header information - headers already sent by (output started at /data/TRAUMKULT/Lexikon-Traumkultur/includes/session/PHPSessionHandler.php:35) in /data/TRAUMKULT/Lexikon-Traumkultur/includes/WebResponse.php on line 74
Warning: Cannot modify header information - headers already sent by (output started at /data/TRAUMKULT/Lexikon-Traumkultur/includes/session/PHPSessionHandler.php:35) in /data/TRAUMKULT/Lexikon-Traumkultur/includes/WebResponse.php on line 74
Warning: Cannot modify header information - headers already sent by (output started at /data/TRAUMKULT/Lexikon-Traumkultur/includes/session/PHPSessionHandler.php:35) in /data/TRAUMKULT/Lexikon-Traumkultur/includes/WebResponse.php on line 74
Warning: Cannot modify header information - headers already sent by (output started at /data/TRAUMKULT/Lexikon-Traumkultur/includes/session/PHPSessionHandler.php:35) in /data/TRAUMKULT/Lexikon-Traumkultur/includes/WebResponse.php on line 74
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578 http://traumkulturen.uni-saarland.de/Lexikon-Traumkultur/index.php?title=%22Allegoria_dei_Sogni%22_(Giovanni_Battista_Naldini)&feed=atom&action=history"Allegoria dei Sogni" (Giovanni Battista Naldini) - Versionsgeschichte2024-04-23T11:35:32ZVersionsgeschichte dieser Seite in Lexikon TraumkulturMediaWiki 1.35.4 Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
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Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578 http://traumkulturen.uni-saarland.de/Lexikon-Traumkultur/index.php?title=%22Allegoria_dei_Sogni%22_(Giovanni_Battista_Naldini)&diff=1583&oldid=prevAdrian Froschauer: /* Fazit */2018-12-11T17:57:16Z<p><span dir="auto"><span class="autocomment">Fazit</span></span></p>
<table class="diff diff-contentalign-left diff-editfont-monospace" data-mw="interface">
<col class="diff-marker" />
<col class="diff-content" />
<col class="diff-marker" />
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<tr class="diff-title" lang="de">
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Nächstältere Version</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Version vom 11. Dezember 2018, 17:57 Uhr</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l48" >Zeile 48:</td>
<td colspan="2" class="diff-lineno">Zeile 48:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Die Linse in den Händen des figurierten Morgens taucht hier wohl erstmals in der Malerei als signifikanter und positiver Bedeutungsträger im Zusammenhang mit der Traumthematik auf. Mittels der übergroßen Darstellung einer Linse ist es Giovanni Battista Naldini gelungen, den allegorischen Charakter dieses ovalen Glases zum Ausdruck zu bringen (Hamburgh 1996, 692-695).</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Die Linse in den Händen des figurierten Morgens taucht hier wohl erstmals in der Malerei als signifikanter und positiver Bedeutungsträger im Zusammenhang mit der Traumthematik auf. Mittels der übergroßen Darstellung einer Linse ist es Giovanni Battista Naldini gelungen, den allegorischen Charakter dieses ovalen Glases zum Ausdruck zu bringen (Hamburgh 1996, 692-695).</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><div style="text-align: right;">[[Autoren|<del class="diffchange diffchange-inline">HC</del>]]</div></div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><div style="text-align: right;">[[Autoren|<ins class="diffchange diffchange-inline">Hannah Chegwin</ins>]]</div></div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div> </div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Literatur==</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Literatur==</div></td></tr>
</table>Adrian Froschauer Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
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Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
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Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578 http://traumkulturen.uni-saarland.de/Lexikon-Traumkultur/index.php?title=%22Allegoria_dei_Sogni%22_(Giovanni_Battista_Naldini)&diff=1126&oldid=prevMyriam Gindorf am 17. Februar 2017 um 15:06 Uhr2017-02-17T15:06:06Z<p></p>
<table class="diff diff-contentalign-left diff-editfont-monospace" data-mw="interface">
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Nächstältere Version</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Version vom 17. Februar 2017, 15:06 Uhr</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1" >Zeile 1:</td>
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<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>[[Datei:<del class="diffchange diffchange-inline">Giovanni Battista Naldini - Allegoria del sogno (klein)</del>.jpg|thumb|right|355x648px|Giovanni Battista Naldini: Allegoria dei Sogni, Öl auf Leinwand, 117 x 68 cm, um 1572, Palazzo Vecchio, Studiolo (Florenz).]]</div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>[[Datei:<ins class="diffchange diffchange-inline">Allegoria_dei_Sogni</ins>.jpg|thumb|right|355x648px|Giovanni Battista Naldini: Allegoria dei Sogni, Öl auf Leinwand, 117 x 68 cm, um 1572, Palazzo Vecchio, Studiolo (Florenz).]]</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>''Allegorie der Träume'' (italienischer Originaltitel: ''Allegoria dei Sogni'') ist ein um 1572 entstandenes Ölgemälde des florentinischen Malers Giovanni Battista Naldini (ca. 1535-1591), das von Francesco I. de' Medici, Großherzog der Toskana, in Auftrag gegeben wurde.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>''Allegorie der Träume'' (italienischer Originaltitel: ''Allegoria dei Sogni'') ist ein um 1572 entstandenes Ölgemälde des florentinischen Malers Giovanni Battista Naldini (ca. 1535-1591), das von Francesco I. de' Medici, Großherzog der Toskana, in Auftrag gegeben wurde.</div></td></tr>
</table>Myriam Gindorf Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
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Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
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Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
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Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578 http://traumkulturen.uni-saarland.de/Lexikon-Traumkultur/index.php?title=%22Allegoria_dei_Sogni%22_(Giovanni_Battista_Naldini)&diff=1109&oldid=prevMyriam Gindorf am 16. Februar 2017 um 20:47 Uhr2017-02-16T20:47:49Z<p></p>
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Nächstältere Version</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Version vom 16. Februar 2017, 20:47 Uhr</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1" >Zeile 1:</td>
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<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>[[Datei:Giovanni Battista Naldini - Allegoria del sogno (klein).jpg|thumb|right|355x648px|Giovanni Battista Naldini: Allegoria dei Sogni, Öl auf Leinwand, 117 x 68 cm, um 1572, Palazzo Vecchio, Studiolo (Florenz)]]</div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>[[Datei:Giovanni Battista Naldini - Allegoria del sogno (klein).jpg|thumb|right|355x648px|Giovanni Battista Naldini: Allegoria dei Sogni, Öl auf Leinwand, 117 x 68 cm, um 1572, Palazzo Vecchio, Studiolo (Florenz)<ins class="diffchange diffchange-inline">.</ins>]]</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>''Allegorie der Träume'' (italienischer Originaltitel: ''Allegoria dei Sogni'') ist ein um 1572 entstandenes Ölgemälde des florentinischen Malers Giovanni Battista Naldini (ca. 1535-1591), das von Francesco I. de' Medici, Großherzog der Toskana, in Auftrag gegeben wurde.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>''Allegorie der Träume'' (italienischer Originaltitel: ''Allegoria dei Sogni'') ist ein um 1572 entstandenes Ölgemälde des florentinischen Malers Giovanni Battista Naldini (ca. 1535-1591), das von Francesco I. de' Medici, Großherzog der Toskana, in Auftrag gegeben wurde.</div></td></tr>
</table>Myriam Gindorf Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
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Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578 http://traumkulturen.uni-saarland.de/Lexikon-Traumkultur/index.php?title=%22Allegoria_dei_Sogni%22_(Giovanni_Battista_Naldini)&diff=1108&oldid=prevMyriam Gindorf am 16. Februar 2017 um 20:46 Uhr2017-02-16T20:46:58Z<p></p>
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Nächstältere Version</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Version vom 16. Februar 2017, 20:46 Uhr</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1" >Zeile 1:</td>
<td colspan="2" class="diff-lineno">Zeile 1:</td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">[[Datei:Giovanni Battista Naldini - Allegoria del sogno (klein).jpg|thumb|right|355x648px|Giovanni Battista Naldini: Allegoria dei Sogni, Öl auf Leinwand, 117 x 68 cm, um 1572, Palazzo Vecchio, Studiolo (Florenz)]]</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>''Allegorie der Träume'' (italienischer Originaltitel: ''Allegoria dei Sogni'') ist ein um 1572 entstandenes Ölgemälde des florentinischen Malers Giovanni Battista Naldini (ca. 1535-1591), das von Francesco I. de' Medici, Großherzog der Toskana, in Auftrag gegeben wurde.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>''Allegorie der Träume'' (italienischer Originaltitel: ''Allegoria dei Sogni'') ist ein um 1572 entstandenes Ölgemälde des florentinischen Malers Giovanni Battista Naldini (ca. 1535-1591), das von Francesco I. de' Medici, Großherzog der Toskana, in Auftrag gegeben wurde.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l7" >Zeile 7:</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Künstler==</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Künstler==</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Giovanni Battista Naldini (*um 1535; † 1591 in Florenz) war ein italienischer Künstler des Manierismus. Nach einer Lehre von 1547 bis 1557 bei dem florentinischen Maler Jacopo da Pontormo absolvierte er zwischen 1560 und 1562 einen Studienaufenthalt in Rom. Seit Beginn der 1560er-Jahre war Naldini als Schüler Don Vincenzo Borghinis und Giorgio Vasaris (der ihn in seinen Viten erwähnt) an Auftragsarbeiten im mediceischen Palazzo Vecchio beteiligt (Dizionario biografico degli italiani, Bd. 77, 2012, 671 f., 674. u. Vasari 1973, 610 f.).<ref>Zum Schüler-Lehrer-Verhältnis zwischen Giovanni Battista Naldini, Don Vincenzo Borghini und Giorgio Vasari vgl. Waźbiński 1985, 285-299.</ref></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Giovanni Battista Naldini (*um 1535; † 1591 in Florenz) war ein italienischer Künstler des Manierismus. Nach einer Lehre von 1547 bis 1557 bei dem florentinischen Maler Jacopo da Pontormo absolvierte er zwischen 1560 und 1562 einen Studienaufenthalt in Rom. Seit Beginn der 1560er-Jahre war Naldini als Schüler Don Vincenzo Borghinis und Giorgio Vasaris (der ihn in seinen Viten erwähnt) an Auftragsarbeiten im mediceischen Palazzo Vecchio beteiligt (Dizionario biografico degli italiani, Bd. 77, 2012, 671 f., 674. u. Vasari 1973, 610 f.).<ref>Zum Schüler-Lehrer-Verhältnis zwischen Giovanni Battista Naldini, Don Vincenzo Borghini und Giorgio Vasari vgl. Waźbiński 1985, 285-299.</ref></div></td></tr>
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<td colspan="2" class="diff-lineno">Zeile 19:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Im Mittelgrund sieht man zwei weibliche Gestalten, die mit weit ausladenden Gesten jeweils einen Stab in der Hand halten. Im geradezu bühnenhaft anmutenden Hintergrund befindet sich am rechten oberen Bildrand ein Portal, von dem lediglich die flankierende Säule, das abschließende, korinthische Kapitell und das Tympanon zu erkennen sind. Eine sich perspektivisch nach hinten flüchtende Gebäude-Architektur aus Pfeilern toskanischer Ordnung und korinthischen Säulen schließen an das Portal an. Auch im linken dunkleren Bildhintergrund erscheint schemenhaft ein ähnliches Portal, aus dessen Öffnung kleine geflügelte, teils puttohafte, teils schwärzlich-rote Kreaturen schwirren, die ebenfalls auf der rechten Seite des Gebäudes erscheinen. Am Grund des Bildes befindet sich zwischen den erwähnten Architekturen ein Bett mit einem Baldachin, in dem und vor dem sich zwei oder drei weitere menschliche Figuren erahnen lassen.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Im Mittelgrund sieht man zwei weibliche Gestalten, die mit weit ausladenden Gesten jeweils einen Stab in der Hand halten. Im geradezu bühnenhaft anmutenden Hintergrund befindet sich am rechten oberen Bildrand ein Portal, von dem lediglich die flankierende Säule, das abschließende, korinthische Kapitell und das Tympanon zu erkennen sind. Eine sich perspektivisch nach hinten flüchtende Gebäude-Architektur aus Pfeilern toskanischer Ordnung und korinthischen Säulen schließen an das Portal an. Auch im linken dunkleren Bildhintergrund erscheint schemenhaft ein ähnliches Portal, aus dessen Öffnung kleine geflügelte, teils puttohafte, teils schwärzlich-rote Kreaturen schwirren, die ebenfalls auf der rechten Seite des Gebäudes erscheinen. Am Grund des Bildes befindet sich zwischen den erwähnten Architekturen ein Bett mit einem Baldachin, in dem und vor dem sich zwei oder drei weitere menschliche Figuren erahnen lassen.</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l23" >Zeile 23:</td>
<td colspan="2" class="diff-lineno">Zeile 27:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Es ist möglich, dass die ursprüngliche Idee, das Traum-Sujet in das Gesamtkonzept des Studiolo einzubinden, nicht von Vincenzo Borghini stammte, sondern der Wunsch des toskanischen Großherzogs selbst war. Neben seiner seit der Jugend bestehenden, großen Leidenschaft für Naturwissenschaften und Alchemie (Schaefer 1976, 189; Dizionario Biografico degli Italiani 1997, 797) schien Francesco I. besonders eine Faszination für den Traum zu hegen. Dieses Interesse manifestierte sich bereits bei der Darstellung des dem Traumthema gewidmeten, hochzeitlichen Triumphzuges von 1566, dem ''Trionfo dei sogni'' (''Triumph der Träume''), von Francesco I. und Johanna von Österreich. Als Teil der mehrtägigen Feierlichkeiten in den Straßen Florenz' wurden in der Parade unter anderem der Gott des Schlafes und Sinnbilder des Morgens und der Nacht dargestellt (Gandolfo 1978, 263-270).</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Es ist möglich, dass die ursprüngliche Idee, das Traum-Sujet in das Gesamtkonzept des Studiolo einzubinden, nicht von Vincenzo Borghini stammte, sondern der Wunsch des toskanischen Großherzogs selbst war. Neben seiner seit der Jugend bestehenden, großen Leidenschaft für Naturwissenschaften und Alchemie (Schaefer 1976, 189; Dizionario Biografico degli Italiani 1997, 797) schien Francesco I. besonders eine Faszination für den Traum zu hegen. Dieses Interesse manifestierte sich bereits bei der Darstellung des dem Traumthema gewidmeten, hochzeitlichen Triumphzuges von 1566, dem ''Trionfo dei sogni'' (''Triumph der Träume''), von Francesco I. und Johanna von Österreich. Als Teil der mehrtägigen Feierlichkeiten in den Straßen Florenz' wurden in der Parade unter anderem der Gott des Schlafes und Sinnbilder des Morgens und der Nacht dargestellt (Gandolfo 1978, 263-270).</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Auf Naldinis ''Allegorie der Träume'' handelt es sich bei der eine Mondsichel tragenden Figur um eine Allegorie der Nacht. Diese Interpretation wird durch die Analogie dieser Gestalt mit der Skulptur ''Notte'' (''Nacht'') begründet, die zwischen 1521-34 als eine der vier Tageszeiten in der Medici-Kapelle in S. Lorenzo von Michelangelo Buonarotti geschaffen worden war. Beiden Figuren haben die gleichen Attribute: Eule, Maske und als Kopfschmuck gestaltete u-förmige Mondsichel mit einem mittigen Stern. Der Dachs als nachtaktives Tier unter dem rechten Arm von Naldinis Figur wurde bei dem 1566 stattfindenden Hochzeits-Triumphzug der Nachtpersonifikation, die sich am unteren Ende der nachgeahmten Grotte des Somnus befand, als Stütze für den Kopf beigegeben. </div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Auf Naldinis ''Allegorie der Träume'' handelt es sich bei der eine Mondsichel tragenden Figur um eine Allegorie der Nacht. Diese Interpretation wird durch die Analogie dieser Gestalt mit der Skulptur ''Notte'' (''Nacht'') begründet, die zwischen 1521-34 als eine der vier Tageszeiten in der Medici-Kapelle in S. Lorenzo von Michelangelo Buonarotti geschaffen worden war. Beiden Figuren haben die gleichen Attribute: Eule, Maske und als Kopfschmuck gestaltete u-förmige Mondsichel mit einem mittigen Stern. Der Dachs als nachtaktives Tier unter dem rechten Arm von Naldinis Figur wurde bei dem 1566 stattfindenden Hochzeits-Triumphzug der Nachtpersonifikation, die sich am unteren Ende der nachgeahmten Grotte des Somnus befand, als Stütze für den Kopf beigegeben.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Da Vincenzo Borghini für die Konzeption des ''Trionfo dei Sogni'' zuständig war, ist anzunehmen, dass weitere Bestandteile von Naldinis Gemälde mit dem ''Triumphzug der Träume'' verknüpft sind (Gandolfo 1978, 275 f.). Als Beispiel hierfür seien die Putti mit den Mohnkapseln auf dem Bild genannt, die (neben anderen Figuren wie Satyrn und Hexen) in der Parade als Verbindungsglieder eingesetzt wurden. Satyr und Hexe könnten die beiden Gestalten im Mittelgrund des Gemäldes sein, die hinter der figurierten Nacht erscheinen; auch andere lasterhafte Zuschreibungen wie Sinnbilder für die Fleischeslust und den Neid sind möglich (Conticelli 2005, 124-126). Basierend auf der Identifikation der Nacht-Allegorie werden weitere menschliche Gestalten im Vordergrund des Gemäldes mit sinnbildlichen Funktionen besetzt. Dem männlichen Akt mit dem Tuch auf dem Kopf wird - rekurrierend auf eine nahezu gleich gestaltete Personifizierung des Tages in der ''Sala degli Elementi'' (''Saal der Elemente'') des Palazzo Vecchio - eben diese sinnbildliche Funktion im Bild zugewiesen. Die bärtige, männliche Figur hingegen ist symbolisch dem Alter zugeschrieben (Gandolfo 1978, 276 f.; Conticelli 2005, 110).</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Da Vincenzo Borghini für die Konzeption des ''Trionfo dei Sogni'' zuständig war, ist anzunehmen, dass weitere Bestandteile von Naldinis Gemälde mit dem ''Triumphzug der Träume'' verknüpft sind (Gandolfo 1978, 275 f.). Als Beispiel hierfür seien die Putti mit den Mohnkapseln auf dem Bild genannt, die (neben anderen Figuren wie Satyrn und Hexen) in der Parade als Verbindungsglieder eingesetzt wurden. Satyr und Hexe könnten die beiden Gestalten im Mittelgrund des Gemäldes sein, die hinter der figurierten Nacht erscheinen; auch andere lasterhafte Zuschreibungen wie Sinnbilder für die Fleischeslust und den Neid sind möglich (Conticelli 2005, 124-126). Basierend auf der Identifikation der Nacht-Allegorie werden weitere menschliche Gestalten im Vordergrund des Gemäldes mit sinnbildlichen Funktionen besetzt. Dem männlichen Akt mit dem Tuch auf dem Kopf wird - rekurrierend auf eine nahezu gleich gestaltete Personifizierung des Tages in der ''Sala degli Elementi'' (''Saal der Elemente'') des Palazzo Vecchio - eben diese sinnbildliche Funktion im Bild zugewiesen. Die bärtige, männliche Figur hingegen ist symbolisch dem Alter zugeschrieben (Gandolfo 1978, 276 f.; Conticelli 2005, 110).</div></td></tr>
<tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l31" >Zeile 31:</td>
<td colspan="2" class="diff-lineno">Zeile 35:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Als Instrument des verschärften Sehens steht die Linse hier in direktem Kontext zum Morgen, da die morgendlichen Träume, bedingt durch die geringe Beeinflussung der Körpersäfte auf den Menschen zu dieser Tageszeit, als besonders klar galten. Aufgrund dieser Klarheit wurden die Morgenträume im Allgemeinen als Botschaften mit hohem Wahrheitsgehalt aufgefasst, wie dies auch der florentinische Humanist Marsilio Ficino (1433-1499) in seiner neuplatonischen Schrift ''Theologia Platonica'' thematisierte (Ficino 2004, 158, 160 f.).</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Als Instrument des verschärften Sehens steht die Linse hier in direktem Kontext zum Morgen, da die morgendlichen Träume, bedingt durch die geringe Beeinflussung der Körpersäfte auf den Menschen zu dieser Tageszeit, als besonders klar galten. Aufgrund dieser Klarheit wurden die Morgenträume im Allgemeinen als Botschaften mit hohem Wahrheitsgehalt aufgefasst, wie dies auch der florentinische Humanist Marsilio Ficino (1433-1499) in seiner neuplatonischen Schrift ''Theologia Platonica'' thematisierte (Ficino 2004, 158, 160 f.).</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Die nicht eindeutige Interpretation der Bildbestandteile von Mittel- und Hintergrund ist sowohl der gestalterischen als auch ikonographischen Unklarheit geschuldet. Der Aufschlüsselung dient hier ein weiterer, von Vincenzo Borghini stammender Text, eine Bilderfindung, die wohl für ein Fresko in einem anderen Raum des Palazzo Vecchio vorgesehen war. In der Niederschrift werden vier Bildszenen geschildert, die mit der Thematik des Traumes und des Schlafes in Relation stehen. Unter anderem wird dort die Ruhestätte des Schlafgottes Somnus beschrieben, über der sich verschiedenartige, geflügelte Gestalten befinden (Conticelli 2005, 112f.). Abgeleitet wird diese Beschreibung der Grotte des Schlafgottes aus dem elften Buch der ''Metamorphosen'' Ovids (XI, 593, 602-605). Die dunkle Umgebung im Hintergrund des naldinischen Gemäldes mutet wie eine höhlenartige Behausung an, inmitten derer Somnus auf seiner Ruhestätte verweilt. Die fliegenden Wesen, die in Borghinis Text auftauchen, können in den teils engelhaften Flügelwesen wiedergefunden werden, die aus den antikischen Säulen des linken und rechten Bildhintergrundes heraus schwärmen. Häufig wird hier die Passage aus dem neunzehnten Gesang von Homers ''Odyssee'' (XIX, 560-567) als Grundlage angenommen, in der Penelope Odysseus von den Traumpforten berichtet (Gandolfo 1979, 277). Dieser Erzählung nach kommen die wahren Träume aus einem elfenbeinernen Tor und die trügerischen aus einem aus Horn. Eine klare formale Unterscheidung der ‚guten‘ und ‚schlechten‘ Träume, bzw. des Tores aus Elfenbein oder aus Horn scheint in Naldinis Bild nicht gegeben. Auch können die Wesen weder mit der bereits erwähnten, nicht eindeutig zuordenbaren Bilderfindung von Borghini in Bezug gesetzt werden, in der neben dem Schlaf auch der Traum in sinnbildlicher Form beschrieben wird. Als anthropomorphe, schlafende und mit zwei Flügeln ausgestattete Figur wird sie der Beschreibung nach von teils engelsgleichen Figuren mit Schmetterlingsflügeln und verschiedenartigen Mischwesen umgeben Es wird vermutet, dass die geflügelten Wesen symbolisch für die sogenannten 'phantasmae' stehen könnten, die nach Macrobius (um 390-430) die Trugbilder zwischen Schlaf und Wachen verkörpern. </div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Die nicht eindeutige Interpretation der Bildbestandteile von Mittel- und Hintergrund ist sowohl der gestalterischen als auch ikonographischen Unklarheit geschuldet. Der Aufschlüsselung dient hier ein weiterer, von Vincenzo Borghini stammender Text, eine Bilderfindung, die wohl für ein Fresko in einem anderen Raum des Palazzo Vecchio vorgesehen war. In der Niederschrift werden vier Bildszenen geschildert, die mit der Thematik des Traumes und des Schlafes in Relation stehen. Unter anderem wird dort die Ruhestätte des Schlafgottes Somnus beschrieben, über der sich verschiedenartige, geflügelte Gestalten befinden (Conticelli 2005, 112f.). Abgeleitet wird diese Beschreibung der Grotte des Schlafgottes aus dem elften Buch der ''Metamorphosen'' Ovids (XI, 593, 602-605). Die dunkle Umgebung im Hintergrund des naldinischen Gemäldes mutet wie eine höhlenartige Behausung an, inmitten derer Somnus auf seiner Ruhestätte verweilt. Die fliegenden Wesen, die in Borghinis Text auftauchen, können in den teils engelhaften Flügelwesen wiedergefunden werden, die aus den antikischen Säulen des linken und rechten Bildhintergrundes heraus schwärmen. Häufig wird hier die Passage aus dem neunzehnten Gesang von Homers ''Odyssee'' (XIX, 560-567) als Grundlage angenommen, in der Penelope Odysseus von den Traumpforten berichtet (Gandolfo 1979, 277). Dieser Erzählung nach kommen die wahren Träume aus einem elfenbeinernen Tor und die trügerischen aus einem aus Horn. Eine klare formale Unterscheidung der ‚guten‘ und ‚schlechten‘ Träume, bzw. des Tores aus Elfenbein oder aus Horn scheint in Naldinis Bild nicht gegeben. Auch können die Wesen weder mit der bereits erwähnten, nicht eindeutig zuordenbaren Bilderfindung von Borghini in Bezug gesetzt werden, in der neben dem Schlaf auch der Traum in sinnbildlicher Form beschrieben wird. Als anthropomorphe, schlafende und mit zwei Flügeln ausgestattete Figur wird sie der Beschreibung nach von teils engelsgleichen Figuren mit Schmetterlingsflügeln und verschiedenartigen Mischwesen umgeben Es wird vermutet, dass die geflügelten Wesen symbolisch für die sogenannten 'phantasmae' stehen könnten, die nach Macrobius (um 390-430) die Trugbilder zwischen Schlaf und Wachen verkörpern.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Die weiblichen Figuren im Bildmittelgrund werden zum einen als Bacchantinnen gedeutet, die, ähnlich wie die Putti, als eine Art Verbindungsglieder zwischen Mittel- und Hintergrund fungieren sollen. Zum anderen besteht die Auffassung, dass es sich bei den beiden Gestalten um die Horen handelt, die im fünften Gesang von Homers ''Ilias'' (V, 749 f.) die Himmelstore beschirmen – bei Naldini jedoch über die vermeintlichen Traumtore wachen (Conticelli 2005, 115f., 118).</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Die weiblichen Figuren im Bildmittelgrund werden zum einen als Bacchantinnen gedeutet, die, ähnlich wie die Putti, als eine Art Verbindungsglieder zwischen Mittel- und Hintergrund fungieren sollen. Zum anderen besteht die Auffassung, dass es sich bei den beiden Gestalten um die Horen handelt, die im fünften Gesang von Homers ''Ilias'' (V, 749 f.) die Himmelstore beschirmen – bei Naldini jedoch über die vermeintlichen Traumtore wachen (Conticelli 2005, 115f., 118).</div></td></tr>
<tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l40" >Zeile 40:</td>
<td colspan="2" class="diff-lineno">Zeile 44:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>===Fazit===</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>===Fazit===</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Die Inhalte des Bildes ''Allegorie der Träume'' setzen sich synkretistisch aus verschiedenen theoretischen Diskurselementen der Antike und Renaissance zu Schlaf und Traum zusammen, welche für die Malerei in eine visuelle Form übersetzt werden mussten. Dem personifizierten Morgen mit der Linse wird insofern eine herausragende Signifikanz zugestanden, als zum einen dem morgendlichen Traum große Wertschätzung beigemessen wurde und zum anderen die Linse auf das zu der Zeit unter den Medici florierende Glasgewerbe <del class="diffchange diffchange-inline"> </del>hindeuten könnte.<ref>Zum Glasgewerbe unter den Medici vgl. Heikamp 1986, 11-423.</ref> Darüber hinaus wird hier ein besonderer Bezug zu Francesco I. selbst hergestellt. Das ovale Glas weist womöglich auf die Experimentierfreudigkeit des Großherzogs mit der Glasproduktion hin. Gleichfalls sah sich wohl der Medici-Fürst selbst als tugendhafter Herrscher durchaus privilegiert zum Empfangen göttlicher und klarer Träume an.</div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Die Inhalte des Bildes ''Allegorie der Träume'' setzen sich synkretistisch aus verschiedenen theoretischen Diskurselementen der Antike und Renaissance zu Schlaf und Traum zusammen, welche für die Malerei in eine visuelle Form übersetzt werden mussten. Dem personifizierten Morgen mit der Linse wird insofern eine herausragende Signifikanz zugestanden, als zum einen dem morgendlichen Traum große Wertschätzung beigemessen wurde und zum anderen die Linse auf das zu der Zeit unter den Medici florierende Glasgewerbe hindeuten könnte.<ref>Zum Glasgewerbe unter den Medici vgl. Heikamp 1986, 11-423.</ref> Darüber hinaus wird hier ein besonderer Bezug zu Francesco I. selbst hergestellt. Das ovale Glas weist womöglich auf die Experimentierfreudigkeit des Großherzogs mit der Glasproduktion hin. Gleichfalls sah sich wohl der Medici-Fürst selbst als tugendhafter Herrscher durchaus privilegiert zum Empfangen göttlicher und klarer Träume an.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Die Linse in den Händen des figurierten Morgens taucht hier wohl erstmals in der Malerei als signifikanter und positiver Bedeutungsträger im Zusammenhang mit der Traumthematik auf. Mittels der übergroßen Darstellung einer Linse ist es Giovanni Battista Naldini gelungen, den allegorischen Charakter dieses ovalen Glases zum Ausdruck zu bringen (Hamburgh 1996, 692-695).</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Die Linse in den Händen des figurierten Morgens taucht hier wohl erstmals in der Malerei als signifikanter und positiver Bedeutungsträger im Zusammenhang mit der Traumthematik auf. Mittels der übergroßen Darstellung einer Linse ist es Giovanni Battista Naldini gelungen, den allegorischen Charakter dieses ovalen Glases zum Ausdruck zu bringen (Hamburgh 1996, 692-695).</div></td></tr>
<tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l73" >Zeile 73:</td>
<td colspan="2" class="diff-lineno">Zeile 77:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Liebenwein, Wolfgang: Studiolo. Die Entstehung eines Raumtyps und seine Entwicklung bis um 1600. Berlin: Mann 1977.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Liebenwein, Wolfgang: Studiolo. Die Entstehung eines Raumtyps und seine Entwicklung bis um 1600. Berlin: Mann 1977.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Poggi, Giovanni: Lo Studiolo di Francesco I. nel Palazzo Vecchio di Firenze. In: Il Marzocco, 11.12.1910, unpag; wieder in: Il Vasari 13 (1942), 86-91.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Poggi, Giovanni: Lo Studiolo di Francesco I. nel Palazzo Vecchio di Firenze. In: Il Marzocco, 11.12.1910, unpag; wieder in: Il Vasari 13 (1942), 86-91.</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Rabbi Bernard, Chiara: „Francesco de' Medici, la vita e il sogno”. In: <del class="diffchange diffchange-inline"> </del>Ders./Alessandro Cecchi/Yves Hersant (Hg.): Il Sogno nel Rinascimento [Ausst.-Kat. Florenz, Palazzo Pitti]. Livorno: Sillabe 2013</div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Rabbi Bernard, Chiara: „Francesco de' Medici, la vita e il sogno”. In: Ders./Alessandro Cecchi/Yves Hersant (Hg.): Il Sogno nel Rinascimento [Ausst.-Kat. Florenz, Palazzo Pitti]. Livorno: Sillabe 2013</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Reifenscheid, Beate: Giovanni Battista Naldini. In: Ernst Gerhard Güse/Alexander Perrig (Hg.): Zeichnungen aus der Toskana. Das Zeitalter Michelangelos. München u.a.: Prestel 1997, 178-185.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Reifenscheid, Beate: Giovanni Battista Naldini. In: Ernst Gerhard Güse/Alexander Perrig (Hg.): Zeichnungen aus der Toskana. Das Zeitalter Michelangelos. München u.a.: Prestel 1997, 178-185.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Rinehart, Michael: A Document for the Studiolo of Francesco I. In: Moshe Barasch (Hg.): Art, the Ape of Nature. New York: Abrams u.a. 1981, 275-289.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Rinehart, Michael: A Document for the Studiolo of Francesco I. In: Moshe Barasch (Hg.): Art, the Ape of Nature. New York: Abrams u.a. 1981, 275-289.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Schaefer, Scott: The Studiolo of Francesco I. de' Medici in the Palazzo Vecchio in Florence. Diss. Pennsylvania: UMI 1976.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Schaefer, Scott: The Studiolo of Francesco I. de' Medici in the Palazzo Vecchio in Florence. Diss. Pennsylvania: UMI 1976.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Waźbiński, Zygmunt: Giorgio Vasari e Vincenzo Borghini come maestri accademici. Il caso di G. B. Naldini“ In: Gian Carlo Garfagnini (Hg.): Giorgo Vasari. Tra decorazione ambientale e storiografia artistica. Florenz: Olschki 1985, 285-299.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Waźbiński, Zygmunt: Giorgio Vasari e Vincenzo Borghini come maestri accademici. Il caso di G. B. Naldini“ In: Gian Carlo Garfagnini (Hg.): Giorgo Vasari. Tra decorazione ambientale e storiografia artistica. Florenz: Olschki 1985, 285-299.</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l96" >Zeile 96:</td>
<td colspan="2" class="diff-lineno">Zeile 101:</td></tr>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|}</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|}</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;"></del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Kategorie:Bildende Kunst]]</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Kategorie:Bildende Kunst]]</div></td></tr>
</table>Myriam Gindorf Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
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Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578 http://traumkulturen.uni-saarland.de/Lexikon-Traumkultur/index.php?title=%22Allegoria_dei_Sogni%22_(Giovanni_Battista_Naldini)&diff=1051&oldid=prevManfred Engel am 22. September 2016 um 07:15 Uhr2016-09-22T07:15:50Z<p></p>
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Nächstältere Version</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Version vom 22. September 2016, 07:15 Uhr</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1" >Zeile 1:</td>
<td colspan="2" class="diff-lineno">Zeile 1:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>''Allegorie der Träume'' (italienischer Originaltitel: ''Allegoria dei Sogni'') ist ein um 1572 entstandenes Ölgemälde des florentinischen Malers Giovanni Battista Naldini (ca. 1535-1591), das von Francesco I. de' Medici, Großherzog der Toskana, in Auftrag gegeben wurde.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>''Allegorie der Träume'' (italienischer Originaltitel: ''Allegoria dei Sogni'') ist ein um 1572 entstandenes Ölgemälde des florentinischen Malers Giovanni Battista Naldini (ca. 1535-1591), das von Francesco I. de' Medici, Großherzog der Toskana, in Auftrag gegeben wurde.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Das Bild ist mit 33 weiteren Gemälden, verschiedenen Preziosen und ausgewählten Naturgegenständen Teil der Ausstattung des großherzoglichen Studiolo im Palazzo Vecchio in Florenz.<ref>Zur Entstehungsgeschichte des Studiolo als herrschaftlicher Repräsentationsraum vgl. Liebenwein 1977.</ref> Die gesamte Ausgestaltung des Raumes unterliegt einem Konzept, das von Don Vincenzo Borghini, dem humanistischen Berater des Großherzogs, ausgearbeitet wurde und das Verhältnis von Natur und Kunst thematisiert.<ref>Zum ausführlichen Konzept Don Vincenzo Borghinis für das Studiolo Francescos I. de' Medici siehe Frey 1930, 886-891.</ref> Jede Wand ist einem der vier Naturelemente zugeordnet, auf das sich die jeweiligen Naturobjekte, Preziosen und Gemälde direkt oder indirekt beziehen (<del class="diffchange diffchange-inline">vgl. </del>Liebenwein 1977, 155-157).</div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Das Bild ist mit 33 weiteren Gemälden, verschiedenen Preziosen und ausgewählten Naturgegenständen Teil der Ausstattung des großherzoglichen Studiolo im Palazzo Vecchio in Florenz.<ref>Zur Entstehungsgeschichte des Studiolo als herrschaftlicher Repräsentationsraum vgl. Liebenwein 1977.</ref> Die gesamte Ausgestaltung des Raumes unterliegt einem Konzept, das von Don Vincenzo Borghini, dem humanistischen Berater des Großherzogs, ausgearbeitet wurde und das Verhältnis von Natur und Kunst thematisiert.<ref>Zum ausführlichen Konzept Don Vincenzo Borghinis für das Studiolo Francescos I. de' Medici siehe Frey 1930, 886-891.</ref> Jede Wand ist einem der vier Naturelemente zugeordnet, auf das sich die jeweiligen Naturobjekte, Preziosen und Gemälde direkt oder indirekt beziehen (Liebenwein 1977, 155-157).</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Künstler==</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Künstler==</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Giovanni Battista Naldini (*um 1535; † 1591 in Florenz) war ein italienischer Künstler des Manierismus. Nach einer Lehre von 1547 bis 1557 bei dem florentinischen Maler Jacopo da Pontormo absolvierte er zwischen 1560 und 1562 einen Studienaufenthalt in Rom. Seit Beginn der 1560er-Jahre war Naldini als Schüler Don Vincenzo Borghinis und Giorgio Vasaris (der ihn in seinen Viten erwähnt) an Auftragsarbeiten im mediceischen Palazzo Vecchio beteiligt (<del class="diffchange diffchange-inline">vgl. </del>Dizionario biografico degli italiani, Bd. 77, 2012, 671 f., 674. u. Vasari 1973, 610 f.).<ref>Zum Schüler-Lehrer-Verhältnis zwischen Giovanni Battista Naldini, Don Vincenzo Borghini und Giorgio Vasari<del class="diffchange diffchange-inline">, </del>vgl. Waźbiński 1985, 285-299.</ref></div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Giovanni Battista Naldini (*um 1535; † 1591 in Florenz) war ein italienischer Künstler des Manierismus. Nach einer Lehre von 1547 bis 1557 bei dem florentinischen Maler Jacopo da Pontormo absolvierte er zwischen 1560 und 1562 einen Studienaufenthalt in Rom. Seit Beginn der 1560er-Jahre war Naldini als Schüler Don Vincenzo Borghinis und Giorgio Vasaris (der ihn in seinen Viten erwähnt) an Auftragsarbeiten im mediceischen Palazzo Vecchio beteiligt (Dizionario biografico degli italiani, Bd. 77, 2012, 671 f., 674. u. Vasari 1973, 610 f.).<ref>Zum Schüler-Lehrer-Verhältnis zwischen Giovanni Battista Naldini, Don Vincenzo Borghini und Giorgio Vasari vgl. Waźbiński 1985, 285-299.</ref></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>===Fazit===</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>===Fazit===</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Die Inhalte des Bildes ''Allegorie der Träume'' setzen sich synkretistisch aus verschiedenen theoretischen Diskurselementen der Antike und Renaissance zu Schlaf und Traum zusammen, welche für die Malerei in eine visuelle Form übersetzt werden mussten. Dem personifizierten Morgen mit der Linse wird insofern eine herausragende Signifikanz zugestanden, als zum einen dem morgendlichen Traum große Wertschätzung beigemessen wurde und zum anderen die Linse auf das zu der Zeit unter den Medici florierende Glasgewerbe hindeuten könnte.<ref>Zum Glasgewerbe unter den Medici<del class="diffchange diffchange-inline">, </del>vgl. Heikamp 1986, 11-423.</ref> Darüber hinaus wird hier ein besonderer Bezug zu Francesco I. selbst hergestellt. Das ovale Glas weist womöglich auf die Experimentierfreudigkeit des Großherzogs mit der Glasproduktion hin. Gleichfalls sah sich wohl der Medici-Fürst selbst als tugendhafter Herrscher durchaus privilegiert zum Empfangen göttlicher und klarer Träume an.</div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Die Inhalte des Bildes ''Allegorie der Träume'' setzen sich synkretistisch aus verschiedenen theoretischen Diskurselementen der Antike und Renaissance zu Schlaf und Traum zusammen, welche für die Malerei in eine visuelle Form übersetzt werden mussten. Dem personifizierten Morgen mit der Linse wird insofern eine herausragende Signifikanz zugestanden, als zum einen dem morgendlichen Traum große Wertschätzung beigemessen wurde und zum anderen die Linse auf das zu der Zeit unter den Medici florierende Glasgewerbe hindeuten könnte.<ref>Zum Glasgewerbe unter den Medici vgl. Heikamp 1986, 11-423.</ref> Darüber hinaus wird hier ein besonderer Bezug zu Francesco I. selbst hergestellt. Das ovale Glas weist womöglich auf die Experimentierfreudigkeit des Großherzogs mit der Glasproduktion hin. Gleichfalls sah sich wohl der Medici-Fürst selbst als tugendhafter Herrscher durchaus privilegiert zum Empfangen göttlicher und klarer Träume an.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Die Linse in den Händen des figurierten Morgens taucht hier wohl erstmals in der Malerei als signifikanter und positiver Bedeutungsträger im Zusammenhang mit der Traumthematik auf. Mittels der übergroßen Darstellung einer Linse ist es Giovanni Battista Naldini gelungen, den allegorischen Charakter dieses ovalen Glases zum Ausdruck zu bringen (<del class="diffchange diffchange-inline">vgl. </del>Hamburgh 1996, 692-695).</div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Die Linse in den Händen des figurierten Morgens taucht hier wohl erstmals in der Malerei als signifikanter und positiver Bedeutungsträger im Zusammenhang mit der Traumthematik auf. Mittels der übergroßen Darstellung einer Linse ist es Giovanni Battista Naldini gelungen, den allegorischen Charakter dieses ovalen Glases zum Ausdruck zu bringen (Hamburgh 1996, 692-695).</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="text-align: right;">[[Autoren|HC]]</div></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><div style="text-align: right;">[[Autoren|HC]]</div></div></td></tr>
</table>Manfred Engel Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
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Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578 http://traumkulturen.uni-saarland.de/Lexikon-Traumkultur/index.php?title=%22Allegoria_dei_Sogni%22_(Giovanni_Battista_Naldini)&diff=1049&oldid=prevManfred Engel am 22. September 2016 um 07:13 Uhr2016-09-22T07:13:44Z<p></p>
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Nächstältere Version</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Version vom 22. September 2016, 07:13 Uhr</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l62" >Zeile 62:</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Berti, Luciano: Il principe dello Studiolo. Francesco I. dei Medici e la fine del Rinascimento fiorentino. Florenz: Edam 1967.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Berti, Luciano: Il principe dello Studiolo. Francesco I. dei Medici e la fine del Rinascimento fiorentino. Florenz: Edam 1967.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Bolzoni, Lina: L''invenzione' dello Stanzino di Francesco I.. In: Candace Adelson (Hg.): Le Arti del Principato Mediceo. Florenz: SPES 1980, 255-299.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Bolzoni, Lina: L''invenzione' dello Stanzino di Francesco I.. In: Candace Adelson (Hg.): Le Arti del Principato Mediceo. Florenz: SPES 1980, 255-299.</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Conticelli, Valentina: Conoscere per immagini<del class="diffchange diffchange-inline">: </del>L’invenzione di Vincenzio Borghini per l’Allegoria dei sogni nello Stanzino di Francesco I. de' Medici. In: Alfredo Perifano (Hg.): La transmission des savoirs au Moyen Âge et à la Renaissance. Bd. 2: Au XVIe siècle. Besançon: Presses Univ. de Franche-Comté 2005, 105-147.</div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Conticelli, Valentina: Conoscere per immagini<ins class="diffchange diffchange-inline">. </ins>L’invenzione di Vincenzio Borghini per l’Allegoria dei sogni nello Stanzino di Francesco I. de' Medici. In: Alfredo Perifano (Hg.): La transmission des savoirs au Moyen Âge et à la Renaissance. Bd. 2: Au XVIe siècle. Besançon: Presses Univ. de Franche-Comté 2005, 105-147.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Conticelli, Valentina: Guardaroba di cose rare et preziose. Lo Studiolo di Francesco I. de' Medici. Arte, storia e significati. Lugano: Agorà Publishing 2007.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Conticelli, Valentina: Guardaroba di cose rare et preziose. Lo Studiolo di Francesco I. de' Medici. Arte, storia e significati. Lugano: Agorà Publishing 2007.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Dizionario Biografico degli Italiani. Rom: Istituto della Enciclopedia Italiana 1997.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Dizionario Biografico degli Italiani. Rom: Istituto della Enciclopedia Italiana 1997.</div></td></tr>
</table>Manfred Engel Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
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Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578 http://traumkulturen.uni-saarland.de/Lexikon-Traumkultur/index.php?title=%22Allegoria_dei_Sogni%22_(Giovanni_Battista_Naldini)&diff=1047&oldid=prevManfred Engel am 22. September 2016 um 06:58 Uhr2016-09-22T06:58:17Z<p></p>
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Nächstältere Version</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Version vom 22. September 2016, 06:58 Uhr</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1" >Zeile 1:</td>
<td colspan="2" class="diff-lineno">Zeile 1:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>''Allegorie der Träume'' (italienischer Originaltitel: ''Allegoria dei Sogni'') ist ein um 1572 entstandenes Ölgemälde des florentinischen Malers Giovanni Battista Naldini (ca. 1535-1591), das von Francesco I. de' Medici, Großherzog der Toskana, in Auftrag gegeben wurde.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>''Allegorie der Träume'' (italienischer Originaltitel: ''Allegoria dei Sogni'') ist ein um 1572 entstandenes Ölgemälde des florentinischen Malers Giovanni Battista Naldini (ca. 1535-1591), das von Francesco I. de' Medici, Großherzog der Toskana, in Auftrag gegeben wurde.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Das Bild ist mit 33 weiteren Gemälden, verschiedenen Preziosen und ausgewählten Naturgegenständen Teil der Ausstattung des großherzoglichen Studiolo<ref>Zur Entstehungsgeschichte des Studiolo als herrschaftlicher Repräsentationsraum vgl. Liebenwein 1977.</ref> <del class="diffchange diffchange-inline">im Palazzo Vecchio in Florenz. </del>Die gesamte Ausgestaltung des Raumes unterliegt einem Konzept,<ref>Zum ausführlichen Konzept Don Vincenzo Borghinis für das Studiolo Francescos I. de' Medici siehe Frey 1930, 886-891.</ref> <del class="diffchange diffchange-inline">das von Don Vincenzo Borghini, dem humanistischen Berater des Großherzogs, ausgearbeitet wurde und das Verhältnis von Natur und Kunst thematisiert. </del>Jede Wand ist einem der vier Naturelemente zugeordnet, auf das sich die jeweiligen Naturobjekte, Preziosen und Gemälde direkt oder indirekt beziehen (vgl. Liebenwein 1977, 155-157).</div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Das Bild ist mit 33 weiteren Gemälden, verschiedenen Preziosen und ausgewählten Naturgegenständen Teil der Ausstattung des großherzoglichen Studiolo <ins class="diffchange diffchange-inline">im Palazzo Vecchio in Florenz.</ins><ref>Zur Entstehungsgeschichte des Studiolo als herrschaftlicher Repräsentationsraum vgl. Liebenwein 1977.</ref> Die gesamte Ausgestaltung des Raumes unterliegt einem Konzept, <ins class="diffchange diffchange-inline">das von Don Vincenzo Borghini, dem humanistischen Berater des Großherzogs, ausgearbeitet wurde und das Verhältnis von Natur und Kunst thematisiert.</ins><ref>Zum ausführlichen Konzept Don Vincenzo Borghinis für das Studiolo Francescos I. de' Medici siehe Frey 1930, 886-891.</ref> Jede Wand ist einem der vier Naturelemente zugeordnet, auf das sich die jeweiligen Naturobjekte, Preziosen und Gemälde direkt oder indirekt beziehen (vgl. Liebenwein 1977, 155-157).</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l13" >Zeile 13:</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Das hochovale Gemälde stellt eine Traum-Allegorie dar. Es ist in zwei Farbebenen eingeteilt: eine helle Ebene im Vordergrund und ein mit dunklen Farbtönen gestalteter Bildbereich im Hintergrund. Es zeigt menschliche, animalische und phantastische Gestalten sowie Teile einer antikisierenden Architektur. Im Vordergrund dominieren Gestalten, die personifizierte Tageszeiten darstellen.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Das hochovale Gemälde stellt eine Traum-Allegorie dar. Es ist in zwei Farbebenen eingeteilt: eine helle Ebene im Vordergrund und ein mit dunklen Farbtönen gestalteter Bildbereich im Hintergrund. Es zeigt menschliche, animalische und phantastische Gestalten sowie Teile einer antikisierenden Architektur. Im Vordergrund dominieren Gestalten, die personifizierte Tageszeiten darstellen.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Der Blick des Betrachters wird über zwei Putti am unteren Bildrand direkt zu einer weiblichen Figur im Zentrum des Bildes gelenkt. Der blonde, teils aufwendig hochgesteckte Haarschopf und vor allem das leuchtend gelbe Gewand, das von der Taille abwärts ihren Körper bedeckt, fallen besonders ins Auge. Der vom Betrachter halb abgewandte Körper ist leicht gebeugt, wobei die Gestalt den Kopf über die rechte Schulter wendet und ihren Blick auf die beiden Putti richtet. In den Händen hält sie ein gläsernes Objekt, das mit seiner ovalen Form die des Gemäldes aufgreift. Eine Lichtreflexion am Rand des Glases lässt vermuten, dass es sich bei dem Gegenstand um eine Linse handeln könnte. Daneben befindet sich ein mit einer rosafarbenen Gewandung nur spärlich bedeckter weiblicher Akt. Seine Aufmerksamkeit ist auf die Linse gerichtet. Das blonde Haar dieser Figur ziert eine u-förmige Mondsichel, in deren Mitte ein sechszackiger Stern steckt. Den rechten Arm ihres halb liegenden Körpers hat sie auf einem Dachs abgestützt; zu ihrer Rechten sitzt eine Eule mit braunem Federkleid. Auf Höhe ihrer Füße ist eine gegen eine niedrige Stufe gelehnte Maske mit einer Nase in Hakenform zu erkennen. Ein sitzender, leicht nach hinten gebeugter Jünglingsakt zur Linken der zentralen Figur hat den mit einem Tuch bedeckten Kopf vom Betrachter abgewandt. Über seiner rechten Schulter ist das Haupt eines bärtigen Mannes auszumachen. Auf der rechten Bildseite zwischen Vorder- und Mittelgrund ist eine barbusige, blonde Figur mit nach vorne gebeugten Oberkörper zu erkennen, die über ihren linken Oberarm auf den oberen Teil einer Gestalt mit scharfen Gesichtszügen blickt. Es ist nicht klar zu erkennen, ob sich auf deren Kopf Hörner befinden. Auch sie <del class="diffchange diffchange-inline">schaut </del>auf den ovalen Gegenstand in den Händen der Zentralfigur.</div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Der Blick des Betrachters wird über zwei Putti am unteren Bildrand direkt zu einer weiblichen Figur im Zentrum des Bildes gelenkt. Der blonde, teils aufwendig hochgesteckte Haarschopf und vor allem das leuchtend gelbe Gewand, das von der Taille abwärts ihren Körper bedeckt, fallen besonders ins Auge. Der vom Betrachter halb abgewandte Körper ist leicht gebeugt, wobei die Gestalt den Kopf über die rechte Schulter wendet und ihren Blick auf die beiden Putti richtet. In den Händen hält sie ein gläsernes Objekt, das mit seiner ovalen Form die des Gemäldes aufgreift. Eine Lichtreflexion am Rand des Glases lässt vermuten, dass es sich bei dem Gegenstand um eine Linse handeln könnte. Daneben befindet sich ein mit einer rosafarbenen Gewandung nur spärlich bedeckter weiblicher Akt. Seine Aufmerksamkeit ist auf die Linse gerichtet. Das blonde Haar dieser Figur ziert eine u-förmige Mondsichel, in deren Mitte ein sechszackiger Stern steckt. Den rechten Arm ihres halb liegenden Körpers hat sie auf einem Dachs abgestützt; zu ihrer Rechten sitzt eine Eule mit braunem Federkleid. Auf Höhe ihrer Füße ist eine gegen eine niedrige Stufe gelehnte Maske mit einer Nase in Hakenform zu erkennen. Ein sitzender, leicht nach hinten gebeugter Jünglingsakt zur Linken der zentralen Figur hat den mit einem Tuch bedeckten Kopf vom Betrachter abgewandt. Über seiner rechten Schulter ist das Haupt eines bärtigen Mannes auszumachen. Auf der rechten Bildseite zwischen Vorder- und Mittelgrund ist eine barbusige, blonde Figur mit nach vorne gebeugten Oberkörper zu erkennen, die über ihren linken Oberarm auf den oberen Teil einer Gestalt mit scharfen Gesichtszügen blickt. Es ist nicht klar zu erkennen, ob sich auf deren Kopf Hörner befinden. Auch sie <ins class="diffchange diffchange-inline">blickt </ins>auf den ovalen Gegenstand in den Händen der Zentralfigur.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Im Mittelgrund sieht man zwei weibliche Gestalten, die mit weit ausladenden Gesten jeweils einen Stab in der Hand halten. Im geradezu bühnenhaft anmutenden Hintergrund befindet sich am rechten oberen Bildrand ein Portal, von dem lediglich die flankierende Säule, das abschließende, korinthische Kapitell und das Tympanon zu erkennen sind. Eine sich perspektivisch nach hinten flüchtende Gebäude-Architektur aus Pfeilern toskanischer Ordnung und korinthischen Säulen schließen an das Portal an. Auch im linken dunkleren Bildhintergrund erscheint schemenhaft ein ähnliches Portal, aus dessen Öffnung kleine geflügelte, teils puttohafte, teils schwärzlich-rote Kreaturen schwirren, die ebenfalls auf der rechten Seite des Gebäudes erscheinen. Am Grund des Bildes befindet sich zwischen den erwähnten Architekturen ein Bett mit einem Baldachin, in dem und vor dem sich zwei oder drei weitere menschliche Figuren erahnen lassen.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Im Mittelgrund sieht man zwei weibliche Gestalten, die mit weit ausladenden Gesten jeweils einen Stab in der Hand halten. Im geradezu bühnenhaft anmutenden Hintergrund befindet sich am rechten oberen Bildrand ein Portal, von dem lediglich die flankierende Säule, das abschließende, korinthische Kapitell und das Tympanon zu erkennen sind. Eine sich perspektivisch nach hinten flüchtende Gebäude-Architektur aus Pfeilern toskanischer Ordnung und korinthischen Säulen schließen an das Portal an. Auch im linken dunkleren Bildhintergrund erscheint schemenhaft ein ähnliches Portal, aus dessen Öffnung kleine geflügelte, teils puttohafte, teils schwärzlich-rote Kreaturen schwirren, die ebenfalls auf der rechten Seite des Gebäudes erscheinen. Am Grund des Bildes befindet sich zwischen den erwähnten Architekturen ein Bett mit einem Baldachin, in dem und vor dem sich zwei oder drei weitere menschliche Figuren erahnen lassen.</div></td></tr>
<tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l78" >Zeile 78:</td>
<td colspan="2" class="diff-lineno">Zeile 78:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Schaefer, Scott: The Studiolo of Francesco I. de' Medici in the Palazzo Vecchio in Florence. Diss. Pennsylvania: UMI 1976.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Schaefer, Scott: The Studiolo of Francesco I. de' Medici in the Palazzo Vecchio in Florence. Diss. Pennsylvania: UMI 1976.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Waźbiński, Zygmunt: Giorgio Vasari e Vincenzo Borghini come maestri accademici. Il caso di G. B. Naldini“ In: Gian Carlo Garfagnini (Hg.): Giorgo Vasari. Tra decorazione ambientale e storiografia artistica. Florenz: Olschki 1985, 285-299.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Waźbiński, Zygmunt: Giorgio Vasari e Vincenzo Borghini come maestri accademici. Il caso di G. B. Naldini“ In: Gian Carlo Garfagnini (Hg.): Giorgo Vasari. Tra decorazione ambientale e storiografia artistica. Florenz: Olschki 1985, 285-299.</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Weblinks==</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Weblinks==</div></td></tr>
</table>Manfred Engel Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
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Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578 http://traumkulturen.uni-saarland.de/Lexikon-Traumkultur/index.php?title=%22Allegoria_dei_Sogni%22_(Giovanni_Battista_Naldini)&diff=1044&oldid=prevManfred Engel: /* Quellen */2016-09-22T06:52:45Z<p><span dir="auto"><span class="autocomment">Quellen</span></span></p>
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Version vom 22. September 2016, 06:52 Uhr</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Borghini, Raffaelo: Il Riposo. Reprogr. Nachdr. der Ausg. Florenz 1584. Hildesheim: Olms 1969.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Borghini, Raffaelo: Il Riposo. Reprogr. Nachdr. der Ausg. Florenz 1584. Hildesheim: Olms 1969.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Cartari, Vicenzo: Imagini delli dei de gl'antichi. Nachdr. der Ausg. Venedig 1647. Vermehrt durch ein Inhaltsverzeichnis und neue Register. Einl. von Walter Koschatzky. Graz: Akademische Druck- u. Verlagsanstalt 1963.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Cartari, Vicenzo: Imagini delli dei de gl'antichi. Nachdr. der Ausg. Venedig 1647. Vermehrt durch ein Inhaltsverzeichnis und neue Register. Einl. von Walter Koschatzky. Graz: Akademische Druck- u. Verlagsanstalt 1963.</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Ficino, Marsilio: Platonic Theology. Hg. von James Hankins, übers. von Michael Allen. Bücher XII – XIV. Cambridge u.a.: Harvard UP 2004.</div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Ficino, Marsilio: Platonic Theology. Hg. von James Hankins, übers. von Michael Allen. Bücher XII – XIV. Cambridge<ins class="diffchange diffchange-inline">/Mass. </ins>u.a.: Harvard UP 2004.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Homerus: Ilias und Odyssee. In der Übertragung von Johann Heinrich Voß. Köln: Parkland Verlag 2. Aufl. 2003.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Homerus: Ilias und Odyssee. In der Übertragung von Johann Heinrich Voß. Köln: Parkland Verlag 2. Aufl. 2003.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Ovidius Naso, Publius: Metamorphosen. Epos in 15 Büchern. Hg. und übers. von Hermann Breitenbach mit einer Einleitung von L.P. Wilkinson [zuerst: Zürich 1958]. Stuttgart: Reclam 2008.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Ovidius Naso, Publius: Metamorphosen. Epos in 15 Büchern. Hg. und übers. von Hermann Breitenbach mit einer Einleitung von L.P. Wilkinson [zuerst: Zürich 1958]. Stuttgart: Reclam 2008.</div></td></tr>
</table>Manfred Engel Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
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Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578 http://traumkulturen.uni-saarland.de/Lexikon-Traumkultur/index.php?title=%22Allegoria_dei_Sogni%22_(Giovanni_Battista_Naldini)&diff=1043&oldid=prevManfred Engel am 22. September 2016 um 06:50 Uhr2016-09-22T06:50:20Z<p></p>
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Nächstältere Version</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Version vom 22. September 2016, 06:50 Uhr</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l73" >Zeile 73:</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Liebenwein, Wolfgang: Studiolo. Die Entstehung eines Raumtyps und seine Entwicklung bis um 1600. Berlin: Mann 1977.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Liebenwein, Wolfgang: Studiolo. Die Entstehung eines Raumtyps und seine Entwicklung bis um 1600. Berlin: Mann 1977.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Poggi, Giovanni: Lo Studiolo di Francesco I. nel Palazzo Vecchio di Firenze. In: Il Marzocco, 11.12.1910, unpag; wieder in: Il Vasari 13 (1942), 86-91.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Poggi, Giovanni: Lo Studiolo di Francesco I. nel Palazzo Vecchio di Firenze. In: Il Marzocco, 11.12.1910, unpag; wieder in: Il Vasari 13 (1942), 86-91.</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Rabbi Bernard, Chiara: „Francesco de' Medici, la vita e il sogno”. In: <del class="diffchange diffchange-inline">Il Sogno nel Rinascimento. Hg. von ders</del>. / Alessandro Cecchi / Yves Hersant<del class="diffchange diffchange-inline">, </del>Ausst.-Kat. Florenz, Palazzo Pitti.</div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Rabbi Bernard, Chiara: „Francesco de' Medici, la vita e il sogno”. In: <ins class="diffchange diffchange-inline"> Ders</ins>./Alessandro Cecchi/Yves Hersant <ins class="diffchange diffchange-inline">(Hg.): Il Sogno nel Rinascimento [</ins>Ausst.-Kat. Florenz, Palazzo Pitti<ins class="diffchange diffchange-inline">]</ins>. <ins class="diffchange diffchange-inline">Livorno: Sillabe 2013</ins></div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Reifenscheid, Beate: <del class="diffchange diffchange-inline">„Giovanni </del>Battista <del class="diffchange diffchange-inline">Naldini“</del>. In: Zeichnungen aus der Toskana. Das Zeitalter Michelangelos<del class="diffchange diffchange-inline">. Hg. von Ernst Gerhard Güse und Alexander Perrig</del>. München <del class="diffchange diffchange-inline">[</del>u.a.<del class="diffchange diffchange-inline">]</del>: Prestel 1997, 178-185.</div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Reifenscheid, Beate: <ins class="diffchange diffchange-inline">Giovanni </ins>Battista <ins class="diffchange diffchange-inline">Naldini</ins>. In<ins class="diffchange diffchange-inline">: Ernst Gerhard Güse/Alexander Perrig (Hg.)</ins>: Zeichnungen aus der Toskana. Das Zeitalter Michelangelos. München u.a.: Prestel 1997, 178-185.</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Rinehart, Michael: <del class="diffchange diffchange-inline">„A </del>Document for the Studiolo of Francesco I.<del class="diffchange diffchange-inline">“</del>. <del class="diffchange diffchange-inline">In</del>: Art, the <del class="diffchange diffchange-inline">ape </del>of <del class="diffchange diffchange-inline">nature. Hg. von Moshe Barasch</del>. New York: Abrams <del class="diffchange diffchange-inline">[</del>u.a.<del class="diffchange diffchange-inline">] </del>1981, 275-289.</div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Rinehart, Michael: <ins class="diffchange diffchange-inline">A </ins>Document for the Studiolo of Francesco I. <ins class="diffchange diffchange-inline">In: Moshe Barasch (Hg</ins>.<ins class="diffchange diffchange-inline">)</ins>: Art, the <ins class="diffchange diffchange-inline">Ape </ins>of <ins class="diffchange diffchange-inline">Nature</ins>. New York: Abrams u.a. 1981, 275-289.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Schaefer, Scott: The Studiolo of Francesco I. de' Medici in the Palazzo Vecchio in Florence. Diss. Pennsylvania: UMI 1976.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Schaefer, Scott: The Studiolo of Francesco I. de' Medici in the Palazzo Vecchio in Florence. Diss. Pennsylvania: UMI 1976.</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Waźbiński, Zygmunt: <del class="diffchange diffchange-inline">“Giorgio </del>Vasari e Vincenzo Borghini come maestri accademici<del class="diffchange diffchange-inline">: </del>Il caso di G. B. Naldini“. <del class="diffchange diffchange-inline">In</del>: Giorgo Vasari. Tra decorazione ambientale e storiografia artistica<del class="diffchange diffchange-inline">. Hg. von Gian Carlo Garfagnini</del>. Florenz: Olschki 1985, 285-299.</div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Waźbiński, Zygmunt: <ins class="diffchange diffchange-inline">Giorgio </ins>Vasari e Vincenzo Borghini come maestri accademici<ins class="diffchange diffchange-inline">. </ins>Il caso di G. B. Naldini“ <ins class="diffchange diffchange-inline">In: Gian Carlo Garfagnini (Hg</ins>.<ins class="diffchange diffchange-inline">)</ins>: Giorgo Vasari. Tra decorazione ambientale e storiografia artistica. Florenz: Olschki 1985, 285-299.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Weblinks==</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Weblinks==</div></td></tr>
<tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l89" >Zeile 89:</td>
<td colspan="2" class="diff-lineno">Zeile 89:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Kategorie:Bildende Kunst]]</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Kategorie:Bildende Kunst]]</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Kategorie:Malerei]]</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Kategorie:Malerei]]</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">[[Kategorie:Ölmalerei]]</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Kategorie:16. Jahrhundert]]</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Kategorie:16. Jahrhundert]]</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">[[Kategorie:Renaissance]]</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Kategorie:Italien]]</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Kategorie:Italien]]</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>[[Kategorie:<del class="diffchange diffchange-inline">Ölmalerei]]</del></div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>[[Kategorie:<ins class="diffchange diffchange-inline">italienisch</ins>]]</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">[[Kategorie:Renaissance</del>]]</div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Kategorie:Naldini, Giovanni Battista|Giovanni Battista Naldini ]]</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Kategorie:Naldini, Giovanni Battista|Giovanni Battista Naldini ]]</div></td></tr>
</table>Manfred Engel Deprecated: str_replace(): Passing null to parameter #3 ($subject) of type array|string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/objectcache/MediumSpecificBagOStuff.php on line 893
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