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Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

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Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: Return type of MediaWiki\Session\PHPSessionHandler::open($save_path, $session_name) should either be compatible with SessionHandlerInterface::open(string $path, string $name): bool, or the #[\ReturnTypeWillChange] attribute should be used to temporarily suppress the notice in /data/TRAUMKULT/Lexikon-Traumkultur/includes/session/PHPSessionHandler.php on line 181

Deprecated: Return type of MediaWiki\Session\PHPSessionHandler::close() should either be compatible with SessionHandlerInterface::close(): bool, or the #[\ReturnTypeWillChange] attribute should be used to temporarily suppress the notice in /data/TRAUMKULT/Lexikon-Traumkultur/includes/session/PHPSessionHandler.php on line 196

Deprecated: Return type of MediaWiki\Session\PHPSessionHandler::read($id) should either be compatible with SessionHandlerInterface::read(string $id): string|false, or the #[\ReturnTypeWillChange] attribute should be used to temporarily suppress the notice in /data/TRAUMKULT/Lexikon-Traumkultur/includes/session/PHPSessionHandler.php on line 210

Deprecated: Return type of MediaWiki\Session\PHPSessionHandler::write($id, $dataStr) should either be compatible with SessionHandlerInterface::write(string $id, string $data): bool, or the #[\ReturnTypeWillChange] attribute should be used to temporarily suppress the notice in /data/TRAUMKULT/Lexikon-Traumkultur/includes/session/PHPSessionHandler.php on line 238

Deprecated: Return type of MediaWiki\Session\PHPSessionHandler::destroy($id) should either be compatible with SessionHandlerInterface::destroy(string $id): bool, or the #[\ReturnTypeWillChange] attribute should be used to temporarily suppress the notice in /data/TRAUMKULT/Lexikon-Traumkultur/includes/session/PHPSessionHandler.php on line 344

Deprecated: Return type of MediaWiki\Session\PHPSessionHandler::gc($maxlifetime) should either be compatible with SessionHandlerInterface::gc(int $max_lifetime): int|false, or the #[\ReturnTypeWillChange] attribute should be used to temporarily suppress the notice in /data/TRAUMKULT/Lexikon-Traumkultur/includes/session/PHPSessionHandler.php on line 365

Deprecated: strcasecmp(): Passing null to parameter #1 ($string1) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/session/CookieSessionProvider.php on line 101

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 262

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: Return type of MediaWiki\Session\Session::count() should either be compatible with Countable::count(): int, or the #[\ReturnTypeWillChange] attribute should be used to temporarily suppress the notice in /data/TRAUMKULT/Lexikon-Traumkultur/includes/session/Session.php on line 593

Deprecated: Return type of MediaWiki\Session\Session::current() should either be compatible with Iterator::current(): mixed, or the #[\ReturnTypeWillChange] attribute should be used to temporarily suppress the notice in /data/TRAUMKULT/Lexikon-Traumkultur/includes/session/Session.php on line 599

Deprecated: Return type of MediaWiki\Session\Session::next() should either be compatible with Iterator::next(): void, or the #[\ReturnTypeWillChange] attribute should be used to temporarily suppress the notice in /data/TRAUMKULT/Lexikon-Traumkultur/includes/session/Session.php on line 611

Deprecated: Return type of MediaWiki\Session\Session::key() should either be compatible with Iterator::key(): mixed, or the #[\ReturnTypeWillChange] attribute should be used to temporarily suppress the notice in /data/TRAUMKULT/Lexikon-Traumkultur/includes/session/Session.php on line 605

Deprecated: Return type of MediaWiki\Session\Session::valid() should either be compatible with Iterator::valid(): bool, or the #[\ReturnTypeWillChange] attribute should be used to temporarily suppress the notice in /data/TRAUMKULT/Lexikon-Traumkultur/includes/session/Session.php on line 623

Deprecated: Return type of MediaWiki\Session\Session::rewind() should either be compatible with Iterator::rewind(): void, or the #[\ReturnTypeWillChange] attribute should be used to temporarily suppress the notice in /data/TRAUMKULT/Lexikon-Traumkultur/includes/session/Session.php on line 617

Deprecated: Return type of MediaWiki\Session\Session::offsetExists($offset) should either be compatible with ArrayAccess::offsetExists(mixed $offset): bool, or the #[\ReturnTypeWillChange] attribute should be used to temporarily suppress the notice in /data/TRAUMKULT/Lexikon-Traumkultur/includes/session/Session.php on line 633

Deprecated: Return type of & MediaWiki\Session\Session::offsetGet($offset) should either be compatible with ArrayAccess::offsetGet(mixed $offset): mixed, or the #[\ReturnTypeWillChange] attribute should be used to temporarily suppress the notice in /data/TRAUMKULT/Lexikon-Traumkultur/includes/session/Session.php on line 646

Deprecated: Return type of MediaWiki\Session\Session::offsetSet($offset, $value) should either be compatible with ArrayAccess::offsetSet(mixed $offset, mixed $value): void, or the #[\ReturnTypeWillChange] attribute should be used to temporarily suppress the notice in /data/TRAUMKULT/Lexikon-Traumkultur/includes/session/Session.php on line 656

Deprecated: Return type of MediaWiki\Session\Session::offsetUnset($offset) should either be compatible with ArrayAccess::offsetUnset(mixed $offset): void, or the #[\ReturnTypeWillChange] attribute should be used to temporarily suppress the notice in /data/TRAUMKULT/Lexikon-Traumkultur/includes/session/Session.php on line 661

Deprecated: Message implements the Serializable interface, which is deprecated. Implement __serialize() and __unserialize() instead (or in addition, if support for old PHP versions is necessary) in /data/TRAUMKULT/Lexikon-Traumkultur/includes/language/Message.php on line 161

Deprecated: MapCacheLRU implements the Serializable interface, which is deprecated. Implement __serialize() and __unserialize() instead (or in addition, if support for old PHP versions is necessary) in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/MapCacheLRU.php on line 38

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: RawMessage implements the Serializable interface, which is deprecated. Implement __serialize() and __unserialize() instead (or in addition, if support for old PHP versions is necessary) in /data/TRAUMKULT/Lexikon-Traumkultur/includes/RawMessage.php on line 0

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

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Deprecated: Return type of MobileFrontend\Features\UserModes::getIterator() should either be compatible with IteratorAggregate::getIterator(): Traversable, or the #[\ReturnTypeWillChange] attribute should be used to temporarily suppress the notice in /data/TRAUMKULT/Lexikon-Traumkultur/extensions/MobileFrontend/includes/Features/UserModes.php on line 45

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

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Warning: Cannot modify header information - headers already sent by (output started at /data/TRAUMKULT/Lexikon-Traumkultur/includes/session/PHPSessionHandler.php:35) in /data/TRAUMKULT/Lexikon-Traumkultur/includes/changes/ChannelFeed.php on line 95

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Notice: Headers already sent, should send headers earlier than OutputPage->sendCacheControl [Called from MediaWiki\HeaderCallback::warnIfHeadersSent in /data/TRAUMKULT/Lexikon-Traumkultur/includes/HeaderCallback.php at line 89] in /data/TRAUMKULT/Lexikon-Traumkultur/includes/debug/MWDebug.php on line 430

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Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
http://traumkulturen.uni-saarland.de/Lexikon-Traumkultur/index.php?title=%22El_Etn%C3%B3grafo%22_(Jorge_Luis_Borges)&feed=atom&action=history "El Etnógrafo" (Jorge Luis Borges) - Versionsgeschichte 2024-04-19T16:14:40Z Versionsgeschichte dieser Seite in Lexikon Traumkultur MediaWiki 1.35.4
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

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Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

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http://traumkulturen.uni-saarland.de/Lexikon-Traumkultur/index.php?title=%22El_Etn%C3%B3grafo%22_(Jorge_Luis_Borges)&diff=1741&oldid=prev Manfred Engel: /* Literatur */ 2019-08-09T11:39:27Z <p><span dir="auto"><span class="autocomment">Literatur</span></span></p> <table class="diff diff-contentalign-left diff-editfont-monospace" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="de"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Nächstältere Version</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Version vom 9. August 2019, 11:39 Uhr</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l94" >Zeile 94:</td> <td colspan="2" class="diff-lineno">Zeile 94:</td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Mahlke, Kirsten: La reserva del etnógrafo (J.L. Borges: &#039;&#039;El Etnógrafo&#039;&#039;). In: Variaciones Borges 22 (2006), 217-237; https://www.borges.pitt.edu/sites/default/files/12%20Mahlke-9%2C25%2C06.pdf sowie http://www.academia.edu/1444764/La_reserva_del_etn%C3%B3grafo_Borges_.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Mahlke, Kirsten: La reserva del etnógrafo (J.L. Borges: &#039;&#039;El Etnógrafo&#039;&#039;). In: Variaciones Borges 22 (2006), 217-237; https://www.borges.pitt.edu/sites/default/files/12%20Mahlke-9%2C25%2C06.pdf sowie http://www.academia.edu/1444764/La_reserva_del_etn%C3%B3grafo_Borges_.</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Moraña, Mabel: Borges y yo. Primera reflexión sobre &#039;El Etnógrafo&#039;. In: Carlos Jáuregui/Juan Pablo Dabove (Hg.): Heterotropías. Narrativas de identidad y alteridad latinoamericana. Pittsburgh: Instituto Internacional de Literatura Iberoamericana 2003, 263-286.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Moraña, Mabel: Borges y yo. Primera reflexión sobre &#039;El Etnógrafo&#039;. In: Carlos Jáuregui/Juan Pablo Dabove (Hg.): Heterotropías. Narrativas de identidad y alteridad latinoamericana. Pittsburgh: Instituto Internacional de Literatura Iberoamericana 2003, 263-286.</div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">* Humberto R. Núñez Faraco, J.L. Borges on Dreams, Nightmares and the Supernatural. A Psychoanalytic Approach. In: Bulletin of Spanish Studies 94 (2017), 1179-1194; DOI: 10.1080/14753820.2016.1204821.</ins></div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Osterhoudt, Sarah Rae: The Field as Labyrinth. Exploring Ethnographic Practices through the Works of Jorge Luis Borges. In: Anthropology Matters 12 (2010), 1-10; https://www.anthropologymatters.com/index.php/anth_matters/article/view/190/312.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Osterhoudt, Sarah Rae: The Field as Labyrinth. Exploring Ethnographic Practices through the Works of Jorge Luis Borges. In: Anthropology Matters 12 (2010), 1-10; https://www.anthropologymatters.com/index.php/anth_matters/article/view/190/312.</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Podetti, J. Ramiro: Civilización, barbarie y frontera en Jorge Luis Borges. In: Humanidades. Revista de la Universidad de Montevideo 8/9 (2008), 87-102.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Podetti, J. Ramiro: Civilización, barbarie y frontera en Jorge Luis Borges. In: Humanidades. Revista de la Universidad de Montevideo 8/9 (2008), 87-102.</div></td></tr> </table> Manfred Engel
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http://traumkulturen.uni-saarland.de/Lexikon-Traumkultur/index.php?title=%22El_Etn%C3%B3grafo%22_(Jorge_Luis_Borges)&diff=1663&oldid=prev Myriam Gindorf am 15. April 2019 um 15:30 Uhr 2019-04-15T15:30:57Z <p></p> <table class="diff diff-contentalign-left diff-editfont-monospace" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="de"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Nächstältere Version</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Version vom 15. April 2019, 15:30 Uhr</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l11" >Zeile 11:</td> <td colspan="2" class="diff-lineno">Zeile 11:</td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Während des Zeitraums von über zwei Jahren passt er sich an die Lebensweise der &#039;&#039;indígenas&#039;&#039; an, träumt gar in einer ihm ursprünglich fremden Sprache (&quot;llegó a soñar en un idioma que no era el de sus padres&quot;; &quot;träumte schließlich in einer Sprache, die nicht die seiner Väter war&quot;). Diese Anpassung wird aus der Perspektive der westlichen Zivilisation dargestellt, die Umstände werden als widrig, die fremden Gewohnheiten als seltsam beschrieben:</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Während des Zeitraums von über zwei Jahren passt er sich an die Lebensweise der &#039;&#039;indígenas&#039;&#039; an, träumt gar in einer ihm ursprünglich fremden Sprache (&quot;llegó a soñar en un idioma que no era el de sus padres&quot;; &quot;träumte schließlich in einer Sprache, die nicht die seiner Väter war&quot;). Diese Anpassung wird aus der Perspektive der westlichen Zivilisation dargestellt, die Umstände werden als widrig, die fremden Gewohnheiten als seltsam beschrieben:</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>: &quot;Acostumbró su paladar a sabores ásperos, se cubrió con ropas extrañas, […] llegó a pensar de una manera que su lógica rechazaba.&quot;  </div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">{| style=&quot;border: 0px; background-color: #ffffff; border-left: 2px solid #7b879e; margin-bottom: 0.4em; margin-left:0.1em; margin-right</ins>: <ins class="diffchange diffchange-inline">auto; width: auto;&quot; border=&quot;0</ins>&quot; <ins class="diffchange diffchange-inline">cellspacing=&quot;0&quot; cellpadding=&quot;0&quot;</ins></div></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>: (<del class="diffchange diffchange-inline">&quot;</del>Er gewöhnte seinen Gaumen an rauhe Geschmäcke, trug sonderbare Kleider, […] und dachte sogar auf eine Weise, die seine Logik verwarf.<del class="diffchange diffchange-inline">&quot;</del>)  </div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">|-</ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">||</ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">: &lt;span style=&quot;color: #7b879e;&quot;&gt;</ins>Acostumbró su paladar a sabores ásperos, se cubrió con ropas extrañas, […] llegó a pensar de una manera que su lógica rechazaba.</div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">: &lt;span style=</ins>&quot;<ins class="diffchange diffchange-inline">color</ins>: <ins class="diffchange diffchange-inline">#7b879e;&quot;&gt;</ins>(Er gewöhnte seinen Gaumen an rauhe Geschmäcke, trug sonderbare Kleider, […] und dachte sogar auf eine Weise, die seine Logik verwarf.)<ins class="diffchange diffchange-inline">&lt;/span&gt;</ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">|}</ins></div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Der Kontrast der Denkweisen und Gebräuche als ausgewachsene Zwei-Welten-Erfahrung wird bereits deutlich: Die indigene Denkweise steht im Gegensatz zur Logik. Doch klingt durch das Possessivpronomen &quot;su&quot; auch schon ein gewisser Perspektivenwechsel an. Zuvor waren die Geschmacksrichtungen noch unhinterfragt allgemein als rau bezeichnet worden, die Kleidung als seltsam. Doch nun wird markiert, dass es sich keineswegs um die Logik allgemein handelt, welche der indigenen Denkweise ablehnend gegenüber stehen würde, sondern vielmehr um die spezielle Logik dieser einen Figur Fred Murdock, die man mit der Logik der westlichen Wissenschaft, aus der er kommt, identifizieren kann. Murdocks Forschungsvorhaben bleibt jedoch vorerst intakt, er verfasst Notizen, ist in der Rolle von einer Art &quot;Doppelagent&quot;. Diese Information wird eingeleitet durch die Angabe einer zeitlichen Begrenzung: &quot;[d]urante los primeros meses&quot; (&quot;während der ersten Monate&quot;). Danach hört Murdock nicht nur auf, Notizen zu machen, sondern zerreißt sogar die bereits vorhandenen. Dafür werden zwei mögliche Gründe genannt: Vielleicht wollte er kein Misstrauen erregen oder brauchte die Notizen einfach nicht mehr.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Der Kontrast der Denkweisen und Gebräuche als ausgewachsene Zwei-Welten-Erfahrung wird bereits deutlich: Die indigene Denkweise steht im Gegensatz zur Logik. Doch klingt durch das Possessivpronomen &quot;su&quot; auch schon ein gewisser Perspektivenwechsel an. Zuvor waren die Geschmacksrichtungen noch unhinterfragt allgemein als rau bezeichnet worden, die Kleidung als seltsam. Doch nun wird markiert, dass es sich keineswegs um die Logik allgemein handelt, welche der indigenen Denkweise ablehnend gegenüber stehen würde, sondern vielmehr um die spezielle Logik dieser einen Figur Fred Murdock, die man mit der Logik der westlichen Wissenschaft, aus der er kommt, identifizieren kann. Murdocks Forschungsvorhaben bleibt jedoch vorerst intakt, er verfasst Notizen, ist in der Rolle von einer Art &quot;Doppelagent&quot;. Diese Information wird eingeleitet durch die Angabe einer zeitlichen Begrenzung: &quot;[d]urante los primeros meses&quot; (&quot;während der ersten Monate&quot;). Danach hört Murdock nicht nur auf, Notizen zu machen, sondern zerreißt sogar die bereits vorhandenen. Dafür werden zwei mögliche Gründe genannt: Vielleicht wollte er kein Misstrauen erregen oder brauchte die Notizen einfach nicht mehr.</div></td></tr> <tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l22" >Zeile 22:</td> <td colspan="2" class="diff-lineno">Zeile 26:</td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Die Leseerwartung, dass der Protagonist nun wie geplant seine Doktorarbeit schreiben würde, wird jedoch nicht erfüllt. Es wird beschrieben, dass er seinem Professor seine Entscheidung mitteilt, das Geheimnis nicht zu veröffentlichen. An dieser Stelle wechselt der heterodiegetische Erzähler zum dramatischen Modus der direkten Rede. Als Grund für seine Entscheidung gibt der Protagonist an:  </div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Die Leseerwartung, dass der Protagonist nun wie geplant seine Doktorarbeit schreiben würde, wird jedoch nicht erfüllt. Es wird beschrieben, dass er seinem Professor seine Entscheidung mitteilt, das Geheimnis nicht zu veröffentlichen. An dieser Stelle wechselt der heterodiegetische Erzähler zum dramatischen Modus der direkten Rede. Als Grund für seine Entscheidung gibt der Protagonist an:  </div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>: &quot;En esas lejanías aprendí algo que no puedo decir.&quot; (<del class="diffchange diffchange-inline">&quot;</del>In diesen Einöden habe ich etwas gelernt, das ich nicht aussprechen kann.<del class="diffchange diffchange-inline">&quot;</del>)  </div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">{| style=&quot;border: 0px; background-color: #ffffff; border-left: 2px solid #7b879e; margin-bottom: 0.4em; margin-left:0.1em; margin-right: auto; width: auto;&quot; border=&quot;0&quot; cellspacing=&quot;0&quot; cellpadding=&quot;0&quot;</ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">|-</ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">||</ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">: &lt;span style=&quot;color</ins>: <ins class="diffchange diffchange-inline">#7b879e;</ins>&quot;<ins class="diffchange diffchange-inline">&gt;</ins>En esas lejanías aprendí algo que no puedo decir.</div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">: &lt;span style=&quot;color: #7b879e;</ins>&quot;<ins class="diffchange diffchange-inline">&gt;</ins>(In diesen Einöden habe ich etwas gelernt, das ich nicht aussprechen kann.)<ins class="diffchange diffchange-inline">&lt;/span&gt;</ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">|}</ins></div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>und als weiteren Grund:  </div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>und als weiteren Grund:  </div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>: &quot;[E]l secreto es precioso y […] ahora la ciencia, nuestra ciencia, me parece una mera frivolidad.&quot; (<del class="diffchange diffchange-inline">&quot;das </del>Geheimnis [ist] kostbar <del class="diffchange diffchange-inline">ist </del>und […] mir [erscheint] jetzt die Wissenschaft, unsere Wissenschaft, als bloße Frivolität<del class="diffchange diffchange-inline">&quot;</del>)<del class="diffchange diffchange-inline">.</del></div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">{| style=&quot;border: 0px; background-color: #ffffff; border-left: 2px solid #7b879e; margin-bottom: 0.4em; margin-left:0.1em; margin-right: auto; width</ins>: <ins class="diffchange diffchange-inline">auto;&quot; border=</ins>&quot;<ins class="diffchange diffchange-inline">0&quot; cellspacing=&quot;0&quot; cellpadding=&quot;0&quot;</ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">|-</ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">||</ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">: &lt;span style=&quot;color: #7b879e;&quot;&gt;</ins>[E]l secreto es precioso y […] ahora la ciencia, nuestra ciencia, me parece una mera frivolidad.</div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">: &lt;span style=</ins>&quot;<ins class="diffchange diffchange-inline">color: #7b879e;&quot;&gt;</ins>(<ins class="diffchange diffchange-inline">Das </ins>Geheimnis [ist] kostbar und […] mir [erscheint] jetzt die Wissenschaft, unsere Wissenschaft, als bloße Frivolität<ins class="diffchange diffchange-inline">.</ins>)<ins class="diffchange diffchange-inline">&lt;/span&gt;</ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">|}</ins></div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Durch den Perspektivenwechsel wird hier folglich zu einer Kritik der Wissenschaft gelangt, konkret der Wissenschaft wie sie ein &quot;Wir&quot;, das der westlichen Kultur zuzuschreiben ist, vertritt. Das Ergründen von Geheimnissen, das Durch-Analysieren und Veröffentlichen, in gewisser Weise damit der Fortschritt, wie ihn die Aufklärung versteht, wird abgewertet im Vergleich zum Bewahren von Geheimnissen und dem individuellen Weg der Erkenntnis, den jeder selbst gehen muss:  </div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Durch den Perspektivenwechsel wird hier folglich zu einer Kritik der Wissenschaft gelangt, konkret der Wissenschaft wie sie ein &quot;Wir&quot;, das der westlichen Kultur zuzuschreiben ist, vertritt. Das Ergründen von Geheimnissen, das Durch-Analysieren und Veröffentlichen, in gewisser Weise damit der Fortschritt, wie ihn die Aufklärung versteht, wird abgewertet im Vergleich zum Bewahren von Geheimnissen und dem individuellen Weg der Erkenntnis, den jeder selbst gehen muss:  </div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>: &quot;El secreto […] no vale lo que valen los caminos que me condujeron a él. Esos caminos hay que andarlos.&quot; (<del class="diffchange diffchange-inline">&quot;</del>Überdies ist das Geheimnis nicht wert, was die Wege wert sind, die mich zu ihm geführt haben. Diese Wege gilt es zu gehen.<del class="diffchange diffchange-inline">&quot;</del>)  </div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">{| style=&quot;border: 0px; background-color: #ffffff; border-left: 2px solid #7b879e; margin-bottom: 0.4em; margin-left:0.1em; margin-right: auto; width: auto;&quot; border=&quot;0&quot; cellspacing=&quot;0&quot; cellpadding=&quot;0&quot;</ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">|-</ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">||</ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">: &lt;span style=&quot;color</ins>: <ins class="diffchange diffchange-inline">#7b879e;</ins>&quot;<ins class="diffchange diffchange-inline">&gt;</ins>El secreto […] no vale lo que valen los caminos que me condujeron a él. Esos caminos hay que andarlos.</div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">: &lt;span style=&quot;color: #7b879e;</ins>&quot;<ins class="diffchange diffchange-inline">&gt;</ins>(Überdies ist das Geheimnis nicht wert, was die Wege wert sind, die mich zu ihm geführt haben. Diese Wege gilt es zu gehen.)<ins class="diffchange diffchange-inline">&lt;/span&gt;</ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">|}</ins></div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Das erinnert an den beliebten Aphorismus &quot;Der Weg ist das Ziel&quot;.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Das erinnert an den beliebten Aphorismus &quot;Der Weg ist das Ziel&quot;.</div></td></tr> <tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l36" >Zeile 36:</td> <td colspan="2" class="diff-lineno">Zeile 55:</td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Der Leser, der nun glauben mag, Murdock sei zur anderen Kultur und Sichtweise &#039;übergelaufen&#039;, wird erneut überrascht und verunsichert angesichts der Aussage, er werde (vielleicht) nicht zu dem Stamm zurückkehren. An dieser Stelle erfolgt eine weitere Aufwertung der Tragweite und Kraft des Geheimnisses:  </div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Der Leser, der nun glauben mag, Murdock sei zur anderen Kultur und Sichtweise &#039;übergelaufen&#039;, wird erneut überrascht und verunsichert angesichts der Aussage, er werde (vielleicht) nicht zu dem Stamm zurückkehren. An dieser Stelle erfolgt eine weitere Aufwertung der Tragweite und Kraft des Geheimnisses:  </div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>: &quot;Lo que me enseñaron sus hombres [de la pradera] vale para cualquier lugar y para cualquier circunstancia.&quot; (<del class="diffchange diffchange-inline">&quot;</del>Was ihre [der Prärie] Männer mich gelehrt haben, gilt für alle Orte und alle Lebensumstände.<del class="diffchange diffchange-inline">&quot;</del>)  </div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">{| style=&quot;border: 0px; background-color: #ffffff; border-left: 2px solid #7b879e; margin-bottom: 0.4em; margin-left:0.1em; margin-right: auto; width: auto;&quot; border=&quot;0&quot; cellspacing=&quot;0&quot; cellpadding=&quot;0&quot;</ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">|-</ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">||</ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">: &lt;span style=&quot;color</ins>: <ins class="diffchange diffchange-inline">#7b879e;</ins>&quot;<ins class="diffchange diffchange-inline">&gt;</ins>Lo que me enseñaron sus hombres [de la pradera] vale para cualquier lugar y para cualquier circunstancia.</div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">: &lt;span style=&quot;color: #7b879e;</ins>&quot;<ins class="diffchange diffchange-inline">&gt;</ins>(Was ihre [der Prärie] Männer mich gelehrt haben, gilt für alle Orte und alle Lebensumstände.)<ins class="diffchange diffchange-inline">&lt;/span&gt;</ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">|}</ins></div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Es handelt sich also um eine tiefe und universelle Erkenntnis. Ganz im Einklang mit dem Plädoyer für die Wahrung des Geheimnisses wird auch dem Leser nicht verraten, worin dieses Geheimnis nun eigentlich besteht.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Es handelt sich also um eine tiefe und universelle Erkenntnis. Ganz im Einklang mit dem Plädoyer für die Wahrung des Geheimnisses wird auch dem Leser nicht verraten, worin dieses Geheimnis nun eigentlich besteht.</div></td></tr> </table> Myriam Gindorf
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http://traumkulturen.uni-saarland.de/Lexikon-Traumkultur/index.php?title=%22El_Etn%C3%B3grafo%22_(Jorge_Luis_Borges)&diff=1548&oldid=prev Nicole Häffner: /* Analyse und Interpretation */ 2018-09-24T13:33:16Z <p><span dir="auto"><span class="autocomment">Analyse und Interpretation</span></span></p> <table class="diff diff-contentalign-left diff-editfont-monospace" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="de"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Nächstältere Version</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Version vom 24. September 2018, 13:33 Uhr</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l14" >Zeile 14:</td> <td colspan="2" class="diff-lineno">Zeile 14:</td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>: (&quot;Er gewöhnte seinen Gaumen an rauhe Geschmäcke, trug sonderbare Kleider, […] und dachte sogar auf eine Weise, die seine Logik verwarf.&quot;)  </div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>: (&quot;Er gewöhnte seinen Gaumen an rauhe Geschmäcke, trug sonderbare Kleider, […] und dachte sogar auf eine Weise, die seine Logik verwarf.&quot;)  </div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Der Kontrast der Denkweisen und Gebräuche als ausgewachsene Zwei-Welten-Erfahrung wird bereits deutlich: Die indigene Denkweise steht im Gegensatz zur Logik. Doch klingt durch das Possessivpronomen &quot;su&quot; auch schon ein gewisser Perspektivenwechsel an. Zuvor waren die Geschmacksrichtungen noch unhinterfragt allgemein als rau bezeichnet worden, die Kleidung als seltsam. Doch nun wird markiert, dass es sich keineswegs um die Logik allgemein handelt, welche der indigenen Denkweise ablehnend gegenüber stehen würde, sondern vielmehr um die spezielle Logik dieser einen Figur Fred Murdock, die man mit der Logik der westlichen Wissenschaft, aus der er kommt, identifizieren kann. Murdocks Forschungsvorhaben bleibt jedoch vorerst intakt, er verfasst Notizen, ist in der Rolle von einer Art &quot;Doppelagent&quot;. Diese Information wird eingeleitet durch die Angabe einer zeitlichen Begrenzung: &quot;<del class="diffchange diffchange-inline">durante </del>los primeros meses&quot; (&quot;während der ersten Monate&quot;). Danach hört Murdock nicht nur auf, Notizen zu machen, sondern zerreißt sogar die bereits vorhandenen. Dafür werden zwei mögliche Gründe genannt: Vielleicht wollte er kein Misstrauen erregen oder brauchte die Notizen einfach nicht mehr.</div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Der Kontrast der Denkweisen und Gebräuche als ausgewachsene Zwei-Welten-Erfahrung wird bereits deutlich: Die indigene Denkweise steht im Gegensatz zur Logik. Doch klingt durch das Possessivpronomen &quot;su&quot; auch schon ein gewisser Perspektivenwechsel an. Zuvor waren die Geschmacksrichtungen noch unhinterfragt allgemein als rau bezeichnet worden, die Kleidung als seltsam. Doch nun wird markiert, dass es sich keineswegs um die Logik allgemein handelt, welche der indigenen Denkweise ablehnend gegenüber stehen würde, sondern vielmehr um die spezielle Logik dieser einen Figur Fred Murdock, die man mit der Logik der westlichen Wissenschaft, aus der er kommt, identifizieren kann. Murdocks Forschungsvorhaben bleibt jedoch vorerst intakt, er verfasst Notizen, ist in der Rolle von einer Art &quot;Doppelagent&quot;. Diese Information wird eingeleitet durch die Angabe einer zeitlichen Begrenzung: &quot;<ins class="diffchange diffchange-inline">[d]urante </ins>los primeros meses&quot; (&quot;während der ersten Monate&quot;). Danach hört Murdock nicht nur auf, Notizen zu machen, sondern zerreißt sogar die bereits vorhandenen. Dafür werden zwei mögliche Gründe genannt: Vielleicht wollte er kein Misstrauen erregen oder brauchte die Notizen einfach nicht mehr.</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Nach einer gewissen Zeit moralischer und physischer Übungen weist der &quot;sacerdote&quot;, d.h. der religiöse bzw. spirituelle Anführer des Stammes, ihn an, sich an seine Träume zu erinnern und sie ihm direkt bei Tagesanbruch anzuvertrauen. Es ist die Rede davon, dass Murdock wiederholt in Vollmondnächten von Bisons träumt und das dem &#039;&#039;sacerdote&#039;&#039; erzählt. Direkt im Anschluss an diese Feststellung folgt, nur schwach abgetrennt durch ein Semikolon: &quot;éste [el sacerdote] acabó por revelarle su doctrina secreta.&quot; (&quot;dieser [der &#039;&#039;sacerdote&#039;&#039;] enthüllte ihm schließlich seine Geheimlehre&quot;). Murdocks Träume und deren Inhalt, der lediglich durch das Motiv des Bisons bestimmt wird, sind also offenbar entscheidend für die Einweihung in das Geheimnis. Warum und inwiefern genau dieser Faktor so wichtig ist, wird nicht erklärt. Es erscheint aber naheliegend, dass das Bison als stark mit dem täglichen Leben der &#039;&#039;indígenas&#039;&#039; verbundenes Tier und die Kontinuität, mit der es in Murdocks Träumen auftritt, seine tiefgreifende Integration in die Lebens- und Denkweise des Stammes verdeutlichen, er sich daher als einer der Ihren für würdig erwiesen hat, das Geheimnis zu kennen.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Nach einer gewissen Zeit moralischer und physischer Übungen weist der &quot;sacerdote&quot;, d.h. der religiöse bzw. spirituelle Anführer des Stammes, ihn an, sich an seine Träume zu erinnern und sie ihm direkt bei Tagesanbruch anzuvertrauen. Es ist die Rede davon, dass Murdock wiederholt in Vollmondnächten von Bisons träumt und das dem &#039;&#039;sacerdote&#039;&#039; erzählt. Direkt im Anschluss an diese Feststellung folgt, nur schwach abgetrennt durch ein Semikolon: &quot;éste [el sacerdote] acabó por revelarle su doctrina secreta.&quot; (&quot;dieser [der &#039;&#039;sacerdote&#039;&#039;] enthüllte ihm schließlich seine Geheimlehre&quot;). Murdocks Träume und deren Inhalt, der lediglich durch das Motiv des Bisons bestimmt wird, sind also offenbar entscheidend für die Einweihung in das Geheimnis. Warum und inwiefern genau dieser Faktor so wichtig ist, wird nicht erklärt. Es erscheint aber naheliegend, dass das Bison als stark mit dem täglichen Leben der &#039;&#039;indígenas&#039;&#039; verbundenes Tier und die Kontinuität, mit der es in Murdocks Träumen auftritt, seine tiefgreifende Integration in die Lebens- und Denkweise des Stammes verdeutlichen, er sich daher als einer der Ihren für würdig erwiesen hat, das Geheimnis zu kennen.</div></td></tr> <tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l26" >Zeile 26:</td> <td colspan="2" class="diff-lineno">Zeile 26:</td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>und als weiteren Grund:  </div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>und als weiteren Grund:  </div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>: &quot;<del class="diffchange diffchange-inline">El </del>secreto es precioso y […] ahora la ciencia, nuestra ciencia, me parece una mera frivolidad.&quot; (&quot;das Geheimnis [ist] kostbar ist und […] mir [erscheint] jetzt die Wissenschaft, unsere Wissenschaft, als bloße Frivolität&quot;).</div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>: &quot;<ins class="diffchange diffchange-inline">[E]l </ins>secreto es precioso y […] ahora la ciencia, nuestra ciencia, me parece una mera frivolidad.&quot; (&quot;das Geheimnis [ist] kostbar ist und […] mir [erscheint] jetzt die Wissenschaft, unsere Wissenschaft, als bloße Frivolität&quot;).</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Durch den Perspektivenwechsel wird hier folglich zu einer Kritik der Wissenschaft gelangt, konkret der Wissenschaft wie sie ein &quot;Wir&quot;, das der westlichen Kultur zuzuschreiben ist, vertritt. Das Ergründen von Geheimnissen, das Durch-Analysieren und Veröffentlichen, in gewisser Weise damit der Fortschritt, wie ihn die Aufklärung versteht, wird abgewertet im Vergleich zum Bewahren von Geheimnissen und dem individuellen Weg der Erkenntnis, den jeder selbst gehen muss:  </div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Durch den Perspektivenwechsel wird hier folglich zu einer Kritik der Wissenschaft gelangt, konkret der Wissenschaft wie sie ein &quot;Wir&quot;, das der westlichen Kultur zuzuschreiben ist, vertritt. Das Ergründen von Geheimnissen, das Durch-Analysieren und Veröffentlichen, in gewisser Weise damit der Fortschritt, wie ihn die Aufklärung versteht, wird abgewertet im Vergleich zum Bewahren von Geheimnissen und dem individuellen Weg der Erkenntnis, den jeder selbst gehen muss:  </div></td></tr> </table> Nicole Häffner
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http://traumkulturen.uni-saarland.de/Lexikon-Traumkultur/index.php?title=%22El_Etn%C3%B3grafo%22_(Jorge_Luis_Borges)&diff=1547&oldid=prev Nicole Häffner: /* Ausgaben */ 2018-09-24T13:20:22Z <p><span dir="auto"><span class="autocomment">Ausgaben</span></span></p> <table class="diff diff-contentalign-left diff-editfont-monospace" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="de"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Nächstältere Version</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Version vom 24. September 2018, 13:20 Uhr</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l50" >Zeile 50:</td> <td colspan="2" class="diff-lineno">Zeile 50:</td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Literatur==</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Literatur==</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>===Ausgaben===</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>===Ausgaben===</div></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Borges, Jorge Luis, El Etnógrafo. In: Ders., Elogio de la sombra. Buenos Aires: Emecé 1969, <del class="diffchange diffchange-inline">##</del>.</div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Borges, Jorge Luis, El Etnógrafo. In: Ders., Elogio de la sombra. Buenos Aires: Emecé 1969, <ins class="diffchange diffchange-inline">59-64</ins>.</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Borges, Jorge Luis: El Etnógrafo. In: Ders., Obras completas. Bd. 2: 1923-1972. Hg. von Carlos V. Frías. Buenos Aires: Emecé 1974, 989 f. (= zitierte Ausgabe).</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Borges, Jorge Luis: El Etnógrafo. In: Ders., Obras completas. Bd. 2: 1923-1972. Hg. von Carlos V. Frías. Buenos Aires: Emecé 1974, 989 f. (= zitierte Ausgabe).</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Engl. Übersetzung:  </div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Engl. Übersetzung:</div></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">* Borges, Jorge Luis: ##. In: Ders.: Collected Fictions. Übers. von Andrew Hurley. London: Penguin 1999, ###.</del></div></td><td colspan="2"> </td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">Dt. Übersetzung: </del></div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Borges, Jorge Luis: <ins class="diffchange diffchange-inline">The Ethnographer</ins>. In: Ders.: <ins class="diffchange diffchange-inline">Collected Fictions</ins>. Übers. von <ins class="diffchange diffchange-inline">Andrew Hurley</ins>. <ins class="diffchange diffchange-inline">London</ins>: <ins class="diffchange diffchange-inline">Penguin 1999</ins>, <ins class="diffchange diffchange-inline">334 </ins>f.</div></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>*Borges, Jorge Luis<del class="diffchange diffchange-inline">, Der Ethnograph. In: Ders., Lob des Schattens. München</del>: <del class="diffchange diffchange-inline">Hanser 1978, ###.</del></div></td><td colspan="2"> </td></tr> <tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">*Borges, Jorge Luis, Der Ethnograph</del>. In: Ders.: <del class="diffchange diffchange-inline">Gesammelte Werke. Hg. von Gisbert Haefs und Fritz Arnold. Bd. 12: Schatten und Tiger: Gedichte 1966-1972; Elogio de la sombra/Lob des Schattens; El oro de los tigres/Das Gold der Tiger</del>. Übers. von <del class="diffchange diffchange-inline">Gisbert Haefs. Frankfurt/M</del>.: <del class="diffchange diffchange-inline">Fischer 1994</del>, <del class="diffchange diffchange-inline">40 </del>f<del class="diffchange diffchange-inline">. (= zitierte Ausgabe)</del>.</div></td><td colspan="2"> </td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">Dt. Übersetzung:</ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">* Borges, Jorge Luis, Der Ethnograph. In: Ders., Lob des Schattens. München: Hanser 1978, 21 f.</ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">* Borges, Jorge Luis, Der Ethnograph. In: Ders.: Gesammelte Werke. Hg. von Gisbert Haefs und Fritz Arnold. Bd. 12: Schatten und Tiger: Gedichte 1966-1972; Elogio de la sombra/Lob des Schattens; El oro de los tigres/Das Gold der Tiger. Übers. von Gisbert Haefs. Frankfurt/M.: Fischer 1994, 40 f. (= zitierte Ausgabe).</ins></div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>===Forschungsliteratur===</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>===Forschungsliteratur===</div></td></tr> </table> Nicole Häffner
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http://traumkulturen.uni-saarland.de/Lexikon-Traumkultur/index.php?title=%22El_Etn%C3%B3grafo%22_(Jorge_Luis_Borges)&diff=1546&oldid=prev Nicole Häffner: /* Analyse und Interpretation */ 2018-09-24T12:41:56Z <p><span dir="auto"><span class="autocomment">Analyse und Interpretation</span></span></p> <table class="diff diff-contentalign-left diff-editfont-monospace" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="de"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Nächstältere Version</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Version vom 24. September 2018, 12:41 Uhr</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l20" >Zeile 20:</td> <td colspan="2" class="diff-lineno">Zeile 20:</td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Der Leser könnte nun erwarten, dass Murdock als voll integriertes Mitglied des Stammes das Interesse an der wissenschaftlichen Arbeit, das seine ursprüngliche Handlungsmotivation für den Aufbruch und die Integration in diese indigene Gesellschaft war, verloren habe und dort bliebe. Es heißt jedoch, eines Morgens – ohne dass eine genaue zeitliche Relationierung zum Zeitpunkt der Geheimnisenthüllung erfolgt – sei er, ohne sich von irgendjemandem zu verabschieden, gegangen.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Der Leser könnte nun erwarten, dass Murdock als voll integriertes Mitglied des Stammes das Interesse an der wissenschaftlichen Arbeit, das seine ursprüngliche Handlungsmotivation für den Aufbruch und die Integration in diese indigene Gesellschaft war, verloren habe und dort bliebe. Es heißt jedoch, eines Morgens – ohne dass eine genaue zeitliche Relationierung zum Zeitpunkt der Geheimnisenthüllung erfolgt – sei er, ohne sich von irgendjemandem zu verabschieden, gegangen.</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Die Leseerwartung, dass der Protagonist nun wie geplant seine Doktorarbeit schreiben würde, wird jedoch nicht erfüllt. Es wird beschrieben, dass er seinem Professor seine Entscheidung mitteilt, das Geheimnis nicht zu veröffentlichen. An dieser Stelle wechselt der <del class="diffchange diffchange-inline">heterodiegetischen </del>Erzähler zum <del class="diffchange diffchange-inline">dramtischen </del>Modus der direkten Rede. Als Grund für seine Entscheidung gibt der Protagonist an:  </div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Die Leseerwartung, dass der Protagonist nun wie geplant seine Doktorarbeit schreiben würde, wird jedoch nicht erfüllt. Es wird beschrieben, dass er seinem Professor seine Entscheidung mitteilt, das Geheimnis nicht zu veröffentlichen. An dieser Stelle wechselt der <ins class="diffchange diffchange-inline">heterodiegetische </ins>Erzähler zum <ins class="diffchange diffchange-inline">dramatischen </ins>Modus der direkten Rede. Als Grund für seine Entscheidung gibt der Protagonist an:  </div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>: &quot;En esas lejanías aprendí algo que no puedo decir.&quot; (&quot;In diesen Einöden habe ich etwas gelernt, das ich nicht aussprechen kann.&quot;)  </div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>: &quot;En esas lejanías aprendí algo que no puedo decir.&quot; (&quot;In diesen Einöden habe ich etwas gelernt, das ich nicht aussprechen kann.&quot;)  </div></td></tr> </table> Nicole Häffner
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http://traumkulturen.uni-saarland.de/Lexikon-Traumkultur/index.php?title=%22El_Etn%C3%B3grafo%22_(Jorge_Luis_Borges)&diff=1545&oldid=prev Nicole Häffner: /* Inhalt des Cuentos */ 2018-09-24T12:31:26Z <p><span dir="auto"><span class="autocomment">Inhalt des Cuentos</span></span></p> <table class="diff diff-contentalign-left diff-editfont-monospace" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="de"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Nächstältere Version</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Version vom 24. September 2018, 12:31 Uhr</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l4" >Zeile 4:</td> <td colspan="2" class="diff-lineno">Zeile 4:</td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Inhalt des Cuentos==</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Inhalt des Cuentos==</div></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>In &#039;&#039;El Etnógrafo&#039;&#039; geht es um den Studenten Fred Murdock, der Teil einer indigenen Gesellschaft wird mit dem Ziel, diese und <del class="diffchange diffchange-inline">ihre </del>Geheimnis zu studieren und anschließend die Ergebnisse in einer Doktorarbeit zu veröffentlichen. Doch im Laufe seiner Zeit dort macht er eine Entwicklung durch.</div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>In &#039;&#039;El Etnógrafo&#039;&#039; geht es um den Studenten Fred Murdock, der Teil einer indigenen Gesellschaft wird mit dem Ziel, diese und <ins class="diffchange diffchange-inline">ihr </ins>Geheimnis zu studieren und anschließend die Ergebnisse in einer Doktorarbeit zu veröffentlichen. Doch im Laufe seiner Zeit dort macht er eine Entwicklung durch.</div></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div> </div></td><td colspan="2"> </td></tr> <tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div> </div></td><td colspan="2"> </td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Analyse und Interpretation==</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Analyse und Interpretation==</div></td></tr> </table> Nicole Häffner
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http://traumkulturen.uni-saarland.de/Lexikon-Traumkultur/index.php?title=%22El_Etn%C3%B3grafo%22_(Jorge_Luis_Borges)&diff=1523&oldid=prev Manfred Engel: /* Fazit */ 2018-09-20T23:06:03Z <p><span dir="auto"><span class="autocomment">Fazit</span></span></p> <table class="diff diff-contentalign-left diff-editfont-monospace" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="de"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Nächstältere Version</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Version vom 20. September 2018, 23:06 Uhr</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l45" >Zeile 45:</td> <td colspan="2" class="diff-lineno">Zeile 45:</td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Fazit==</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Fazit==</div></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Der Traum in Borges&#039; Cuento &#039;&#039;El Etnógrafo&#039;&#039; ist eingebettet in einen Zusammenprall von westlicher Wissenschaft und indigenem Geheimwissen.&lt;ref&gt;Ein solcher Zusammenprall bzw. ein Sich-Kreuzen oder Sich-Begegnen von Kulturen ist im Werk von Jorge Luis Borges ein wichtiger Topos (vgl. Podetti).&lt;/ref&gt; Er ist Schlüsselelement und Indikator der spirituellen Reife und Zugehörigkeit, woraufhin der Ethnograph aus dem Titel Zugang zum Geheimnis des Stammes erhält. Durch einen Perspektivenwechsel entlarvt diese Erzählung die sich gerne als universell betrachtenden Spielregeln der westlichen Wissenschaftskultur als nur eine mögliche Weltsicht von mehreren, speziell in Kontrast gesetzt zu einer Weltsicht, die Geheimnisse bewahrt und sie je nach individueller Entwicklung offenbart. Folglich gewährt hier der Traum, wie so oft in der Literatur (vgl. etwa Gómez Trueba, 14, 56, 71, 82, 101), Zugang zu privilegierten Bereichen von Wissen und großen Wahrheiten – hier allerdings werden diese nicht traumimmanent erlangt und kommuniziert, sondern in der Wachrealität durch die Figur des &#039;&#039;sacerdote&#039;&#039;. Der Traum dient hier somit auch (mittelbar) einer Art Gegendiskurs zur westlichen, speziell durch den Geist der Aufklärung geprägten Weltsicht.</div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Der Traum in Borges&#039; Cuento &#039;&#039;El Etnógrafo&#039;&#039; ist eingebettet in einen Zusammenprall von westlicher Wissenschaft und indigenem Geheimwissen.&lt;ref&gt;Ein solcher Zusammenprall bzw. ein Sich-Kreuzen oder Sich-Begegnen von Kulturen ist im Werk von Jorge Luis Borges ein wichtiger Topos (vgl. Podetti).&lt;/ref&gt; Er ist Schlüsselelement und Indikator der spirituellen Reife und Zugehörigkeit, woraufhin der Ethnograph aus dem Titel Zugang zum Geheimnis des Stammes erhält. Durch einen Perspektivenwechsel entlarvt diese Erzählung die sich gerne als universell betrachtenden Spielregeln der westlichen Wissenschaftskultur als nur eine mögliche Weltsicht von mehreren, speziell in Kontrast gesetzt zu einer Weltsicht, die Geheimnisse bewahrt und sie je nach individueller Entwicklung offenbart. Folglich gewährt hier der Traum, wie so oft in der Literatur (vgl. etwa Gómez Trueba <ins class="diffchange diffchange-inline">1999</ins>, 14, 56, 71, 82, 101), Zugang zu privilegierten Bereichen von Wissen und großen Wahrheiten – hier allerdings werden diese nicht traumimmanent erlangt und kommuniziert, sondern in der Wachrealität durch die Figur des &#039;&#039;sacerdote&#039;&#039;. Der Traum dient hier somit auch (mittelbar) einer Art Gegendiskurs zur westlichen, speziell durch den Geist der Aufklärung geprägten Weltsicht.</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> </table> Manfred Engel
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http://traumkulturen.uni-saarland.de/Lexikon-Traumkultur/index.php?title=%22El_Etn%C3%B3grafo%22_(Jorge_Luis_Borges)&diff=1516&oldid=prev Manfred Engel: /* Analyse und Interpretation */ 2018-09-20T22:40:29Z <p><span dir="auto"><span class="autocomment">Analyse und Interpretation</span></span></p> <table class="diff diff-contentalign-left diff-editfont-monospace" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="de"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Nächstältere Version</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Version vom 20. September 2018, 22:40 Uhr</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l18" >Zeile 18:</td> <td colspan="2" class="diff-lineno">Zeile 18:</td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Der Kontrast der Denkweisen und Gebräuche als ausgewachsene Zwei-Welten-Erfahrung wird bereits deutlich: Die indigene Denkweise steht im Gegensatz zur Logik. Doch klingt durch das Possessivpronomen &quot;su&quot; auch schon ein gewisser Perspektivenwechsel an. Zuvor waren die Geschmacksrichtungen noch unhinterfragt allgemein als rau bezeichnet worden, die Kleidung als seltsam. Doch nun wird markiert, dass es sich keineswegs um die Logik allgemein handelt, welche der indigenen Denkweise ablehnend gegenüber stehen würde, sondern vielmehr um die spezielle Logik dieser einen Figur Fred Murdock, die man mit der Logik der westlichen Wissenschaft, aus der er kommt, identifizieren kann. Murdocks Forschungsvorhaben bleibt jedoch vorerst intakt, er verfasst Notizen, ist in der Rolle von einer Art &quot;Doppelagent&quot;. Diese Information wird eingeleitet durch die Angabe einer zeitlichen Begrenzung: &quot;durante los primeros meses&quot; (&quot;während der ersten Monate&quot;). Danach hört Murdock nicht nur auf, Notizen zu machen, sondern zerreißt sogar die bereits vorhandenen. Dafür werden zwei mögliche Gründe genannt: Vielleicht wollte er kein Misstrauen erregen oder brauchte die Notizen einfach nicht mehr.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Der Kontrast der Denkweisen und Gebräuche als ausgewachsene Zwei-Welten-Erfahrung wird bereits deutlich: Die indigene Denkweise steht im Gegensatz zur Logik. Doch klingt durch das Possessivpronomen &quot;su&quot; auch schon ein gewisser Perspektivenwechsel an. Zuvor waren die Geschmacksrichtungen noch unhinterfragt allgemein als rau bezeichnet worden, die Kleidung als seltsam. Doch nun wird markiert, dass es sich keineswegs um die Logik allgemein handelt, welche der indigenen Denkweise ablehnend gegenüber stehen würde, sondern vielmehr um die spezielle Logik dieser einen Figur Fred Murdock, die man mit der Logik der westlichen Wissenschaft, aus der er kommt, identifizieren kann. Murdocks Forschungsvorhaben bleibt jedoch vorerst intakt, er verfasst Notizen, ist in der Rolle von einer Art &quot;Doppelagent&quot;. Diese Information wird eingeleitet durch die Angabe einer zeitlichen Begrenzung: &quot;durante los primeros meses&quot; (&quot;während der ersten Monate&quot;). Danach hört Murdock nicht nur auf, Notizen zu machen, sondern zerreißt sogar die bereits vorhandenen. Dafür werden zwei mögliche Gründe genannt: Vielleicht wollte er kein Misstrauen erregen oder brauchte die Notizen einfach nicht mehr.</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Nach einer gewissen Zeit moralischer und physischer Übungen weist der &quot;sacerdote&quot;, d.h. der religiöse bzw. spirituelle Anführer des Stammes, ihn an, sich an seine Träume zu erinnern und sie ihm direkt bei Tagesanbruch anzuvertrauen. Es ist die Rede davon, dass Murdock wiederholt in Vollmondnächten von Bisons träumt und das dem &#039;&#039;sacerdote&#039;&#039; erzählt. Direkt im Anschluss an diese Feststellung folgt, nur schwach abgetrennt durch ein Semikolon: &quot;éste [el sacerdote] acabó por revelarle su doctrina secreta.&quot; (&quot;dieser [der &#039;&#039;sacerdote&#039;&#039;] enthüllte ihm schließlich seine Geheimlehre&quot;). Murdocks Träume und deren Inhalt, der lediglich durch das Motiv des Bisons bestimmt wird, sind also offenbar entscheidend für die Einweihung in das Geheimnis. Warum und inwiefern genau dieser Faktor so wichtig ist, wird nicht erklärt. Es erscheint aber naheliegend, dass das Bison als stark mit dem täglichen Leben der indígenas verbundenes Tier und die Kontinuität, mit der es in Murdocks Träumen auftritt, seine tiefgreifende Integration in die Lebens- und Denkweise des Stammes verdeutlichen, er sich daher als einer der Ihren für würdig erwiesen hat, das Geheimnis zu kennen.</div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Nach einer gewissen Zeit moralischer und physischer Übungen weist der &quot;sacerdote&quot;, d.h. der religiöse bzw. spirituelle Anführer des Stammes, ihn an, sich an seine Träume zu erinnern und sie ihm direkt bei Tagesanbruch anzuvertrauen. Es ist die Rede davon, dass Murdock wiederholt in Vollmondnächten von Bisons träumt und das dem &#039;&#039;sacerdote&#039;&#039; erzählt. Direkt im Anschluss an diese Feststellung folgt, nur schwach abgetrennt durch ein Semikolon: &quot;éste [el sacerdote] acabó por revelarle su doctrina secreta.&quot; (&quot;dieser [der &#039;&#039;sacerdote&#039;&#039;] enthüllte ihm schließlich seine Geheimlehre&quot;). Murdocks Träume und deren Inhalt, der lediglich durch das Motiv des Bisons bestimmt wird, sind also offenbar entscheidend für die Einweihung in das Geheimnis. Warum und inwiefern genau dieser Faktor so wichtig ist, wird nicht erklärt. Es erscheint aber naheliegend, dass das Bison als stark mit dem täglichen Leben der <ins class="diffchange diffchange-inline">&#039;&#039;</ins>indígenas<ins class="diffchange diffchange-inline">&#039;&#039; </ins>verbundenes Tier und die Kontinuität, mit der es in Murdocks Träumen auftritt, seine tiefgreifende Integration in die Lebens- und Denkweise des Stammes verdeutlichen, er sich daher als einer der Ihren für würdig erwiesen hat, das Geheimnis zu kennen.</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Der Leser könnte nun erwarten, dass Murdock als voll integriertes Mitglied des Stammes das Interesse an der wissenschaftlichen Arbeit, das seine ursprüngliche Handlungsmotivation für den Aufbruch und die Integration in diese indigene Gesellschaft war, verloren habe und dort bliebe. Es heißt jedoch, eines Morgens – ohne dass eine genaue zeitliche Relationierung zum Zeitpunkt der Geheimnisenthüllung erfolgt – sei er, ohne sich von irgendjemandem zu verabschieden, gegangen.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Der Leser könnte nun erwarten, dass Murdock als voll integriertes Mitglied des Stammes das Interesse an der wissenschaftlichen Arbeit, das seine ursprüngliche Handlungsmotivation für den Aufbruch und die Integration in diese indigene Gesellschaft war, verloren habe und dort bliebe. Es heißt jedoch, eines Morgens – ohne dass eine genaue zeitliche Relationierung zum Zeitpunkt der Geheimnisenthüllung erfolgt – sei er, ohne sich von irgendjemandem zu verabschieden, gegangen.</div></td></tr> </table> Manfred Engel
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http://traumkulturen.uni-saarland.de/Lexikon-Traumkultur/index.php?title=%22El_Etn%C3%B3grafo%22_(Jorge_Luis_Borges)&diff=1515&oldid=prev Manfred Engel: /* Analyse und Interpretation */ 2018-09-20T22:39:49Z <p><span dir="auto"><span class="autocomment">Analyse und Interpretation</span></span></p> <table class="diff diff-contentalign-left diff-editfont-monospace" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="de"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Nächstältere Version</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Version vom 20. September 2018, 22:39 Uhr</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l11" >Zeile 11:</td> <td colspan="2" class="diff-lineno">Zeile 11:</td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Fred Murdocks &quot;Abenteuer&quot; wird eingangs als real geschehene Begebenheit präsentiert, von der der Erzähler in Texas gehört habe, die sich aber in einem anderen Bundesstaat abgespielt haben soll. Der Student ist also in das Umfeld der US-amerikanischen, westlichen universitären Wissenschaft einzuordnen. Er begibt sich zu einem indigenen Stamm mit dem Ziel, von den Stammesangehörigen als einer der Ihren akzeptiert und dann in ihre Geheimnisse eingeweiht zu werden. Nach Erreichung dieses Ziels will er zur Universität zurückkehren und eine wissenschaftliche Arbeit darüber schreiben.  </div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Fred Murdocks &quot;Abenteuer&quot; wird eingangs als real geschehene Begebenheit präsentiert, von der der Erzähler in Texas gehört habe, die sich aber in einem anderen Bundesstaat abgespielt haben soll. Der Student ist also in das Umfeld der US-amerikanischen, westlichen universitären Wissenschaft einzuordnen. Er begibt sich zu einem indigenen Stamm mit dem Ziel, von den Stammesangehörigen als einer der Ihren akzeptiert und dann in ihre Geheimnisse eingeweiht zu werden. Nach Erreichung dieses Ziels will er zur Universität zurückkehren und eine wissenschaftliche Arbeit darüber schreiben.  </div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Während des Zeitraums von über zwei Jahren passt er sich an die Lebensweise der indígenas an, träumt gar in einer ihm ursprünglich fremden Sprache (&quot;llegó a soñar en un idioma que no era el de sus padres&quot;; &quot;träumte schließlich in einer Sprache, die nicht die seiner Väter war&quot;). Diese Anpassung wird aus der Perspektive der westlichen Zivilisation dargestellt, die Umstände werden als widrig, die fremden Gewohnheiten als seltsam beschrieben:</div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Während des Zeitraums von über zwei Jahren passt er sich an die Lebensweise der <ins class="diffchange diffchange-inline">&#039;&#039;</ins>indígenas<ins class="diffchange diffchange-inline">&#039;&#039; </ins>an, träumt gar in einer ihm ursprünglich fremden Sprache (&quot;llegó a soñar en un idioma que no era el de sus padres&quot;; &quot;träumte schließlich in einer Sprache, die nicht die seiner Väter war&quot;). Diese Anpassung wird aus der Perspektive der westlichen Zivilisation dargestellt, die Umstände werden als widrig, die fremden Gewohnheiten als seltsam beschrieben:</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>: &quot;Acostumbró su paladar a sabores ásperos, se cubrió con ropas extrañas, […] llegó a pensar de una manera que su lógica rechazaba.&quot;  </div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>: &quot;Acostumbró su paladar a sabores ásperos, se cubrió con ropas extrañas, […] llegó a pensar de una manera que su lógica rechazaba.&quot;  </div></td></tr> </table> Manfred Engel
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http://traumkulturen.uni-saarland.de/Lexikon-Traumkultur/index.php?title=%22El_Etn%C3%B3grafo%22_(Jorge_Luis_Borges)&diff=1514&oldid=prev Manfred Engel: /* Analyse und Interpretation */ 2018-09-20T22:38:17Z <p><span dir="auto"><span class="autocomment">Analyse und Interpretation</span></span></p> <table class="diff diff-contentalign-left diff-editfont-monospace" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="de"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Nächstältere Version</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Version vom 20. September 2018, 22:38 Uhr</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l18" >Zeile 18:</td> <td colspan="2" class="diff-lineno">Zeile 18:</td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Der Kontrast der Denkweisen und Gebräuche als ausgewachsene Zwei-Welten-Erfahrung wird bereits deutlich: Die indigene Denkweise steht im Gegensatz zur Logik. Doch klingt durch das Possessivpronomen &quot;su&quot; auch schon ein gewisser Perspektivenwechsel an. Zuvor waren die Geschmacksrichtungen noch unhinterfragt allgemein als rau bezeichnet worden, die Kleidung als seltsam. Doch nun wird markiert, dass es sich keineswegs um die Logik allgemein handelt, welche der indigenen Denkweise ablehnend gegenüber stehen würde, sondern vielmehr um die spezielle Logik dieser einen Figur Fred Murdock, die man mit der Logik der westlichen Wissenschaft, aus der er kommt, identifizieren kann. Murdocks Forschungsvorhaben bleibt jedoch vorerst intakt, er verfasst Notizen, ist in der Rolle von einer Art &quot;Doppelagent&quot;. Diese Information wird eingeleitet durch die Angabe einer zeitlichen Begrenzung: &quot;durante los primeros meses&quot; (&quot;während der ersten Monate&quot;). Danach hört Murdock nicht nur auf, Notizen zu machen, sondern zerreißt sogar die bereits vorhandenen. Dafür werden zwei mögliche Gründe genannt: Vielleicht wollte er kein Misstrauen erregen oder brauchte die Notizen einfach nicht mehr.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Der Kontrast der Denkweisen und Gebräuche als ausgewachsene Zwei-Welten-Erfahrung wird bereits deutlich: Die indigene Denkweise steht im Gegensatz zur Logik. Doch klingt durch das Possessivpronomen &quot;su&quot; auch schon ein gewisser Perspektivenwechsel an. Zuvor waren die Geschmacksrichtungen noch unhinterfragt allgemein als rau bezeichnet worden, die Kleidung als seltsam. Doch nun wird markiert, dass es sich keineswegs um die Logik allgemein handelt, welche der indigenen Denkweise ablehnend gegenüber stehen würde, sondern vielmehr um die spezielle Logik dieser einen Figur Fred Murdock, die man mit der Logik der westlichen Wissenschaft, aus der er kommt, identifizieren kann. Murdocks Forschungsvorhaben bleibt jedoch vorerst intakt, er verfasst Notizen, ist in der Rolle von einer Art &quot;Doppelagent&quot;. Diese Information wird eingeleitet durch die Angabe einer zeitlichen Begrenzung: &quot;durante los primeros meses&quot; (&quot;während der ersten Monate&quot;). Danach hört Murdock nicht nur auf, Notizen zu machen, sondern zerreißt sogar die bereits vorhandenen. Dafür werden zwei mögliche Gründe genannt: Vielleicht wollte er kein Misstrauen erregen oder brauchte die Notizen einfach nicht mehr.</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Nach einer gewissen Zeit moralischer und physischer Übungen weist der &quot;sacerdote&quot;, d.h. der religiöse bzw. spirituelle Anführer des Stammes, ihn an, sich an seine Träume zu erinnern und sie ihm direkt bei Tagesanbruch anzuvertrauen. Es ist die Rede davon, dass Murdock wiederholt in Vollmondnächten von Bisons träumt und das dem sacerdote erzählt. Direkt im Anschluss an diese Feststellung folgt, nur schwach abgetrennt durch ein Semikolon: &quot;éste [el sacerdote] acabó por revelarle su doctrina secreta.&quot; (&quot;dieser [der &#039;&#039;sacerdote&#039;&#039;] enthüllte ihm schließlich seine Geheimlehre&quot;). Murdocks Träume und deren Inhalt, der lediglich durch das Motiv des Bisons bestimmt wird, sind also offenbar entscheidend für die Einweihung in das Geheimnis. Warum und inwiefern genau dieser Faktor so wichtig ist, wird nicht erklärt. Es erscheint aber naheliegend, dass das Bison als stark mit dem täglichen Leben der indígenas verbundenes Tier und die Kontinuität, mit der es in Murdocks Träumen auftritt, seine tiefgreifende Integration in die Lebens- und Denkweise des Stammes verdeutlichen, er sich daher als einer der Ihren für würdig erwiesen hat, das Geheimnis zu kennen.</div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Nach einer gewissen Zeit moralischer und physischer Übungen weist der &quot;sacerdote&quot;, d.h. der religiöse bzw. spirituelle Anführer des Stammes, ihn an, sich an seine Träume zu erinnern und sie ihm direkt bei Tagesanbruch anzuvertrauen. Es ist die Rede davon, dass Murdock wiederholt in Vollmondnächten von Bisons träumt und das dem <ins class="diffchange diffchange-inline">&#039;&#039;</ins>sacerdote<ins class="diffchange diffchange-inline">&#039;&#039; </ins>erzählt. Direkt im Anschluss an diese Feststellung folgt, nur schwach abgetrennt durch ein Semikolon: &quot;éste [el sacerdote] acabó por revelarle su doctrina secreta.&quot; (&quot;dieser [der &#039;&#039;sacerdote&#039;&#039;] enthüllte ihm schließlich seine Geheimlehre&quot;). Murdocks Träume und deren Inhalt, der lediglich durch das Motiv des Bisons bestimmt wird, sind also offenbar entscheidend für die Einweihung in das Geheimnis. Warum und inwiefern genau dieser Faktor so wichtig ist, wird nicht erklärt. Es erscheint aber naheliegend, dass das Bison als stark mit dem täglichen Leben der indígenas verbundenes Tier und die Kontinuität, mit der es in Murdocks Träumen auftritt, seine tiefgreifende Integration in die Lebens- und Denkweise des Stammes verdeutlichen, er sich daher als einer der Ihren für würdig erwiesen hat, das Geheimnis zu kennen.</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Der Leser könnte nun erwarten, dass Murdock als voll integriertes Mitglied des Stammes das Interesse an der wissenschaftlichen Arbeit, das seine ursprüngliche Handlungsmotivation für den Aufbruch und die Integration in diese indigene Gesellschaft war, verloren habe und dort bliebe. Es heißt jedoch, eines Morgens – ohne dass eine genaue zeitliche Relationierung zum Zeitpunkt der Geheimnisenthüllung erfolgt – sei er, ohne sich von irgendjemandem zu verabschieden, gegangen.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Der Leser könnte nun erwarten, dass Murdock als voll integriertes Mitglied des Stammes das Interesse an der wissenschaftlichen Arbeit, das seine ursprüngliche Handlungsmotivation für den Aufbruch und die Integration in diese indigene Gesellschaft war, verloren habe und dort bliebe. Es heißt jedoch, eines Morgens – ohne dass eine genaue zeitliche Relationierung zum Zeitpunkt der Geheimnisenthüllung erfolgt – sei er, ohne sich von irgendjemandem zu verabschieden, gegangen.</div></td></tr> </table> Manfred Engel

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