Deprecated: preg_match(): Passing null to parameter #2 ($subject) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/lbfactory/LBFactory.php on line 759

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Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: Return type of MediaWiki\Session\PHPSessionHandler::open($save_path, $session_name) should either be compatible with SessionHandlerInterface::open(string $path, string $name): bool, or the #[\ReturnTypeWillChange] attribute should be used to temporarily suppress the notice in /data/TRAUMKULT/Lexikon-Traumkultur/includes/session/PHPSessionHandler.php on line 181

Deprecated: Return type of MediaWiki\Session\PHPSessionHandler::close() should either be compatible with SessionHandlerInterface::close(): bool, or the #[\ReturnTypeWillChange] attribute should be used to temporarily suppress the notice in /data/TRAUMKULT/Lexikon-Traumkultur/includes/session/PHPSessionHandler.php on line 196

Deprecated: Return type of MediaWiki\Session\PHPSessionHandler::read($id) should either be compatible with SessionHandlerInterface::read(string $id): string|false, or the #[\ReturnTypeWillChange] attribute should be used to temporarily suppress the notice in /data/TRAUMKULT/Lexikon-Traumkultur/includes/session/PHPSessionHandler.php on line 210

Deprecated: Return type of MediaWiki\Session\PHPSessionHandler::write($id, $dataStr) should either be compatible with SessionHandlerInterface::write(string $id, string $data): bool, or the #[\ReturnTypeWillChange] attribute should be used to temporarily suppress the notice in /data/TRAUMKULT/Lexikon-Traumkultur/includes/session/PHPSessionHandler.php on line 238

Deprecated: Return type of MediaWiki\Session\PHPSessionHandler::destroy($id) should either be compatible with SessionHandlerInterface::destroy(string $id): bool, or the #[\ReturnTypeWillChange] attribute should be used to temporarily suppress the notice in /data/TRAUMKULT/Lexikon-Traumkultur/includes/session/PHPSessionHandler.php on line 344

Deprecated: Return type of MediaWiki\Session\PHPSessionHandler::gc($maxlifetime) should either be compatible with SessionHandlerInterface::gc(int $max_lifetime): int|false, or the #[\ReturnTypeWillChange] attribute should be used to temporarily suppress the notice in /data/TRAUMKULT/Lexikon-Traumkultur/includes/session/PHPSessionHandler.php on line 365

Deprecated: strcasecmp(): Passing null to parameter #1 ($string1) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/session/CookieSessionProvider.php on line 101

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 262

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: Return type of MediaWiki\Session\Session::count() should either be compatible with Countable::count(): int, or the #[\ReturnTypeWillChange] attribute should be used to temporarily suppress the notice in /data/TRAUMKULT/Lexikon-Traumkultur/includes/session/Session.php on line 593

Deprecated: Return type of MediaWiki\Session\Session::current() should either be compatible with Iterator::current(): mixed, or the #[\ReturnTypeWillChange] attribute should be used to temporarily suppress the notice in /data/TRAUMKULT/Lexikon-Traumkultur/includes/session/Session.php on line 599

Deprecated: Return type of MediaWiki\Session\Session::next() should either be compatible with Iterator::next(): void, or the #[\ReturnTypeWillChange] attribute should be used to temporarily suppress the notice in /data/TRAUMKULT/Lexikon-Traumkultur/includes/session/Session.php on line 611

Deprecated: Return type of MediaWiki\Session\Session::key() should either be compatible with Iterator::key(): mixed, or the #[\ReturnTypeWillChange] attribute should be used to temporarily suppress the notice in /data/TRAUMKULT/Lexikon-Traumkultur/includes/session/Session.php on line 605

Deprecated: Return type of MediaWiki\Session\Session::valid() should either be compatible with Iterator::valid(): bool, or the #[\ReturnTypeWillChange] attribute should be used to temporarily suppress the notice in /data/TRAUMKULT/Lexikon-Traumkultur/includes/session/Session.php on line 623

Deprecated: Return type of MediaWiki\Session\Session::rewind() should either be compatible with Iterator::rewind(): void, or the #[\ReturnTypeWillChange] attribute should be used to temporarily suppress the notice in /data/TRAUMKULT/Lexikon-Traumkultur/includes/session/Session.php on line 617

Deprecated: Return type of MediaWiki\Session\Session::offsetExists($offset) should either be compatible with ArrayAccess::offsetExists(mixed $offset): bool, or the #[\ReturnTypeWillChange] attribute should be used to temporarily suppress the notice in /data/TRAUMKULT/Lexikon-Traumkultur/includes/session/Session.php on line 633

Deprecated: Return type of & MediaWiki\Session\Session::offsetGet($offset) should either be compatible with ArrayAccess::offsetGet(mixed $offset): mixed, or the #[\ReturnTypeWillChange] attribute should be used to temporarily suppress the notice in /data/TRAUMKULT/Lexikon-Traumkultur/includes/session/Session.php on line 646

Deprecated: Return type of MediaWiki\Session\Session::offsetSet($offset, $value) should either be compatible with ArrayAccess::offsetSet(mixed $offset, mixed $value): void, or the #[\ReturnTypeWillChange] attribute should be used to temporarily suppress the notice in /data/TRAUMKULT/Lexikon-Traumkultur/includes/session/Session.php on line 656

Deprecated: Return type of MediaWiki\Session\Session::offsetUnset($offset) should either be compatible with ArrayAccess::offsetUnset(mixed $offset): void, or the #[\ReturnTypeWillChange] attribute should be used to temporarily suppress the notice in /data/TRAUMKULT/Lexikon-Traumkultur/includes/session/Session.php on line 661

Deprecated: Message implements the Serializable interface, which is deprecated. Implement __serialize() and __unserialize() instead (or in addition, if support for old PHP versions is necessary) in /data/TRAUMKULT/Lexikon-Traumkultur/includes/language/Message.php on line 161

Deprecated: MapCacheLRU implements the Serializable interface, which is deprecated. Implement __serialize() and __unserialize() instead (or in addition, if support for old PHP versions is necessary) in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/MapCacheLRU.php on line 38

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: RawMessage implements the Serializable interface, which is deprecated. Implement __serialize() and __unserialize() instead (or in addition, if support for old PHP versions is necessary) in /data/TRAUMKULT/Lexikon-Traumkultur/includes/RawMessage.php on line 0

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: Return type of MobileFrontend\Features\UserModes::getIterator() should either be compatible with IteratorAggregate::getIterator(): Traversable, or the #[\ReturnTypeWillChange] attribute should be used to temporarily suppress the notice in /data/TRAUMKULT/Lexikon-Traumkultur/extensions/MobileFrontend/includes/Features/UserModes.php on line 45

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Warning: Cannot modify header information - headers already sent by (output started at /data/TRAUMKULT/Lexikon-Traumkultur/includes/session/PHPSessionHandler.php:35) in /data/TRAUMKULT/Lexikon-Traumkultur/includes/changes/ChannelFeed.php on line 95

Warning: Cannot modify header information - headers already sent by (output started at /data/TRAUMKULT/Lexikon-Traumkultur/includes/session/PHPSessionHandler.php:35) in /data/TRAUMKULT/Lexikon-Traumkultur/includes/changes/ChannelFeed.php on line 100

Notice: Headers already sent, should send headers earlier than OutputPage->sendCacheControl [Called from MediaWiki\HeaderCallback::warnIfHeadersSent in /data/TRAUMKULT/Lexikon-Traumkultur/includes/HeaderCallback.php at line 89] in /data/TRAUMKULT/Lexikon-Traumkultur/includes/debug/MWDebug.php on line 430

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Warning: Cannot modify header information - headers already sent by (output started at /data/TRAUMKULT/Lexikon-Traumkultur/includes/session/PHPSessionHandler.php:35) in /data/TRAUMKULT/Lexikon-Traumkultur/includes/WebResponse.php on line 74

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Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
http://traumkulturen.uni-saarland.de/Lexikon-Traumkultur/index.php?title=Film_und_Traum_(1930-1960)&feed=atom&action=history 2024-04-19T10:09:36Z Versionsgeschichte dieser Seite in Lexikon Traumkultur MediaWiki 1.35.4
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

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Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

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Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

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Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

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http://traumkulturen.uni-saarland.de/Lexikon-Traumkultur/index.php?title=Film_und_Traum_(1930-1960)&diff=2793&oldid=prev 2022-03-10T14:14:48Z

<p></p> <table class="diff diff-contentalign-left diff-editfont-monospace" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="de"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Nächstältere Version</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Version vom 10. März 2022, 14:14 Uhr</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l95" >Zeile 95:</td> <td colspan="2" class="diff-lineno">Zeile 95:</td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Kategorie:Nachkriegszeit]]</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Kategorie:Nachkriegszeit]]</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>[[Kategorie:<del class="diffchange diffchange-inline">Englischsprachig</del>]]</div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>[[Kategorie:<ins class="diffchange diffchange-inline">Englisch</ins>]]</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Kategorie:USA]]</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Kategorie:USA]]</div></td></tr> </table>

Myriam Gindorf
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Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

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Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

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Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

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http://traumkulturen.uni-saarland.de/Lexikon-Traumkultur/index.php?title=Film_und_Traum_(1930-1960)&diff=2673&oldid=prev 2022-02-25T15:54:54Z

<p></p> <table class="diff diff-contentalign-left diff-editfont-monospace" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="de"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Nächstältere Version</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Version vom 25. Februar 2022, 15:54 Uhr</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l95" >Zeile 95:</td> <td colspan="2" class="diff-lineno">Zeile 95:</td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Kategorie:Nachkriegszeit]]</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Kategorie:Nachkriegszeit]]</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>[[Kategorie:<del class="diffchange diffchange-inline">englisch</del>]]</div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>[[Kategorie:<ins class="diffchange diffchange-inline">Englischsprachig</ins>]]</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Kategorie:USA]]</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Kategorie:USA]]</div></td></tr> </table>

Manfred Engel
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http://traumkulturen.uni-saarland.de/Lexikon-Traumkultur/index.php?title=Film_und_Traum_(1930-1960)&diff=2638&oldid=prev 2022-02-23T09:51:37Z

<p></p> <table class="diff diff-contentalign-left diff-editfont-monospace" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="de"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Nächstältere Version</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Version vom 23. Februar 2022, 09:51 Uhr</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l68" >Zeile 68:</td> <td colspan="2" class="diff-lineno">Zeile 68:</td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* [http://traumkulturen.uni-saarland.de/Lexikon-Traumkultur/index.php/Film_und_Traum_(1900-1930) Film und Traum (1900–1930)]</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* [http://traumkulturen.uni-saarland.de/Lexikon-Traumkultur/index.php/Film_und_Traum_(1900-1930) Film und Traum (1900–1930)]</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* [http://traumkulturen.uni-saarland.de/Lexikon-Traumkultur/index.php/%22Un_chien_andalou%22_(Luis_Bu%C3%B1uel)#Surrealismus_und_Traum Surrealismus und Traum]</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* [http://traumkulturen.uni-saarland.de/Lexikon-Traumkultur/index.php/%22Un_chien_andalou%22_(Luis_Bu%C3%B1uel)#Surrealismus_und_Traum Surrealismus und Traum]</div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Anmerkungen==</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Anmerkungen==</div></td></tr> </table>

Manfred Engel
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http://traumkulturen.uni-saarland.de/Lexikon-Traumkultur/index.php?title=Film_und_Traum_(1930-1960)&diff=2637&oldid=prev 2022-02-23T09:50:21Z

<p><span dir="auto"><span class="autocomment">Hollywood und Psychoanalyse</span></span></p> <table class="diff diff-contentalign-left diff-editfont-monospace" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="de"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Nächstältere Version</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Version vom 23. Februar 2022, 09:50 Uhr</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l3" >Zeile 3:</td> <td colspan="2" class="diff-lineno">Zeile 3:</td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Hollywood und Psychoanalyse==</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Hollywood und Psychoanalyse==</div></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Der Regisseur Alfred Hitchcock (1899–1980) – ja ohnehin mit seinen legendären Cameo-Auftritten ein &#039;Meister&#039; des Metareferentiellen – wendet sich im Skript für einen (wohl nie tatsächlich gedrehten) Trailer&lt;ref&gt;Das gesamte Trailer-Skript ist leicht erreichbar über: Nándor Bokor/Alain Kerzoncuf: Alfred Hitchcock’s Trailers, Part II. In: Senses of Cinema 36 (2005); https://www.sensesofcinema.com/2005/feature-articles/hitchcocks_trailers_part2/<del class="diffchange diffchange-inline">, </del>Abschnitt III. Curiosities.&lt;/ref&gt; zu seinem gerade erscheinenden Film [[&quot;Spellbound&quot; (Alfred Hitchcock)|&#039;&#039;Spellbound&#039;&#039;]] (1945) persönlich an das Publikum:</div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Der Regisseur Alfred Hitchcock (1899–1980) – ja ohnehin mit seinen legendären Cameo-Auftritten ein &#039;Meister&#039; des Metareferentiellen – wendet sich im Skript für einen (wohl nie tatsächlich gedrehten) Trailer&lt;ref&gt;Das gesamte Trailer-Skript ist leicht erreichbar über: Nándor Bokor/Alain Kerzoncuf: Alfred Hitchcock’s Trailers, Part II. In: Senses of Cinema 36 (2005); <ins class="diffchange diffchange-inline">[</ins>https://www.sensesofcinema.com/2005/feature-articles/hitchcocks_trailers_part2/ <ins class="diffchange diffchange-inline">online: </ins>Abschnitt III. Curiosities<ins class="diffchange diffchange-inline">]</ins>.&lt;/ref&gt; zu seinem gerade erscheinenden Film [[&quot;Spellbound&quot; (Alfred Hitchcock)|&#039;&#039;Spellbound&#039;&#039;]] (1945) persönlich an das Publikum:</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>: That screen up there is like a mind. We here in Hollywood can make anything happen there. We can also show you what a man dreams. Yes, we here in Hollywood can make anything happen on the screen – but our powers are dwarfed compared to what you [he turns to look into the audience] can make happen in your mind (zit. nach Auiler 2001, 558 f.).</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>: That screen up there is like a mind. We here in Hollywood can make anything happen there. We can also show you what a man dreams. Yes, we here in Hollywood can make anything happen on the screen – but our powers are dwarfed compared to what you [he turns to look into the audience] can make happen in your mind (zit. nach Auiler 2001, 558 f.).</div></td></tr> </table>

Manfred Engel
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http://traumkulturen.uni-saarland.de/Lexikon-Traumkultur/index.php?title=Film_und_Traum_(1930-1960)&diff=2636&oldid=prev 2022-02-23T09:42:30Z

<p><span dir="auto"><span class="autocomment">Forschungsliteratur</span></span></p> <table class="diff diff-contentalign-left diff-editfont-monospace" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="de"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Nächstältere Version</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Version vom 23. Februar 2022, 09:42 Uhr</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l50" >Zeile 50:</td> <td colspan="2" class="diff-lineno">Zeile 50:</td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Engel, Manfred: Film Dreams 1945–1990 (Alfred Hitchcock, &#039;&#039;Spellbound&#039;&#039; – Hans Richter, &#039;&#039;Dreams That Money Can Buy&#039;&#039; – Ingmar Bergman, &#039;&#039;Face to Face&#039;&#039; – Akira Kurosawa, &#039;&#039;Dreams&#039;&#039;). In: Bernard Dieterle/Manfred Engel (Hg.): Mediating the Dream/Les genres et médias du rêve. Würzburg: Königshausen &amp; Neumann 2020 (Cultural Dream Studies 4), 565–628.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Engel, Manfred: Film Dreams 1945–1990 (Alfred Hitchcock, &#039;&#039;Spellbound&#039;&#039; – Hans Richter, &#039;&#039;Dreams That Money Can Buy&#039;&#039; – Ingmar Bergman, &#039;&#039;Face to Face&#039;&#039; – Akira Kurosawa, &#039;&#039;Dreams&#039;&#039;). In: Bernard Dieterle/Manfred Engel (Hg.): Mediating the Dream/Les genres et médias du rêve. Würzburg: Königshausen &amp; Neumann 2020 (Cultural Dream Studies 4), 565–628.</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Gay, Peter: Freud. A Life for Our Time. New York: Norton 2006.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Gay, Peter: Freud. A Life for Our Time. New York: Norton 2006.</div></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>*Halpern, Leslie: Dreams on Film. The Cinematic Struggle Between Art and Science. Jefferson: McFarland 2003 [mit einer Filmographie von Filmen mit Traumszenen, 181–188].</div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Halpern, Leslie: Dreams on Film. The Cinematic Struggle Between Art and Science. Jefferson: McFarland 2003 [mit einer Filmographie von Filmen mit Traumszenen, 181–188].</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Jendricke, Bernhard: Alfred Hitchcock. Reinbek: Rowohlt 1999.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Jendricke, Bernhard: Alfred Hitchcock. Reinbek: Rowohlt 1999.</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Koebner, Thomas: Von Träumen im Film. Marburg: Schüren 2018.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Koebner, Thomas: Von Träumen im Film. Marburg: Schüren 2018.</div></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Kracauer, Siegfried: Von Caligari zu Hitler. Eine psychologische Geschichte des deutschen Films. Frankfurt: Suhrkamp 1984 [zuerst 1947].</div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Kracauer, Siegfried: Von Caligari zu Hitler. Eine psychologische Geschichte des deutschen Films. Frankfurt<ins class="diffchange diffchange-inline">/M.</ins>: Suhrkamp 1984 [zuerst 1947].</div></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Kracauer, Siegfried: Theorie des Films. Die Errettung der äußeren Wirklichkeit. Frankfurt: Suhrkamp 1985 [zuerst 1960].</div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Kracauer, Siegfried: Theorie des Films. Die Errettung der äußeren Wirklichkeit. Frankfurt<ins class="diffchange diffchange-inline">/M.</ins>: Suhrkamp 1985 [zuerst 1960].</div></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Kreuzer, Stefanie: Traum und Erzählen in Literatur, Film und Kunst. <del class="diffchange diffchange-inline">München</del>: Fink 2014.  </div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Kreuzer, Stefanie: Traum und Erzählen in Literatur, Film und Kunst. <ins class="diffchange diffchange-inline">Paderborn</ins>: Fink 2014.  </div></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Kreuzer, Stefanie: Filmische Traumdarstellungen im Wandel der kinematographischen Möglichkeiten (1895–1950). In: Marie Guthmüller/Hans-Walter Schmidt-Hannisa (Hg.), Das nächtliche Selbst<del class="diffchange diffchange-inline">: </del>Traumwissen und Traumkunst im Jahrhundert der Psychologie. Bd. II: 1900–1950. Göttingen: Wallstein 2020, 256–283.</div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Kreuzer, Stefanie: Filmische Traumdarstellungen im Wandel der kinematographischen Möglichkeiten (1895–1950). In: Marie Guthmüller/Hans-Walter Schmidt-Hannisa (Hg.), Das nächtliche Selbst<ins class="diffchange diffchange-inline">. </ins>Traumwissen und Traumkunst im Jahrhundert der Psychologie. Bd. II: 1900–1950. Göttingen: Wallstein 2020, 256–283.</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Mertens, Wolfgang: Traum und Traumdeutung. München: Beck 2009.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Mertens, Wolfgang: Traum und Traumdeutung. München: Beck 2009.</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Mitscherlich, Alexander: Gesammelte Schriften. Band VIII: Psychoanalyse. Frankfurt: Suhrkamp 1983 [zuerst 1947].</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Mitscherlich, Alexander: Gesammelte Schriften. Band VIII: Psychoanalyse. Frankfurt: Suhrkamp 1983 [zuerst 1947].</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Nesselhauf, Jonas: Der ewige Albtraum. Zur Figur des Kriegsheimkehrers in der Literatur des 20. und 21. Jahrhunderts. Paderborn: Fink 2017.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Nesselhauf, Jonas: Der ewige Albtraum. Zur Figur des Kriegsheimkehrers in der Literatur des 20. und 21. Jahrhunderts. Paderborn: Fink 2017.</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Pauleit, Winfried et al. (Hg.): Das Kino träumt. Projektion, Imagination, Vision. Berlin: Bertz + Fischer 2009.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Pauleit, Winfried et al. (Hg.): Das Kino träumt. Projektion, Imagination, Vision. Berlin: Bertz + Fischer 2009.</div></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* &quot;The 1930 Production Code.&quot; In: John Lewis: Hollywood vs. Hard Core. How the Struggle over Censorship Saved the Modern Film Industry. New York: New York <del class="diffchange diffchange-inline">University Press </del>2000, 302–307.</div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* &quot;The 1930 Production Code.&quot; In: John Lewis: Hollywood vs. Hard Core. How the Struggle over Censorship Saved the Modern Film Industry. New York: New York <ins class="diffchange diffchange-inline">UP </ins>2000, 302–307.</div></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Young, Skip Dine: Psychology at the Movies. Malden<del class="diffchange diffchange-inline">, MA</del>: Wiley-Blackwell 2012.</div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Young, Skip Dine: Psychology at the Movies. Malden: Wiley-Blackwell 2012.</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> </table>

Manfred Engel
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http://traumkulturen.uni-saarland.de/Lexikon-Traumkultur/index.php?title=Film_und_Traum_(1930-1960)&diff=2635&oldid=prev 2022-02-23T09:39:51Z

<p><span dir="auto"><span class="autocomment">Forschungsliteratur</span></span></p> <table class="diff diff-contentalign-left diff-editfont-monospace" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="de"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Nächstältere Version</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Version vom 23. Februar 2022, 09:39 Uhr</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l42" >Zeile 42:</td> <td colspan="2" class="diff-lineno">Zeile 42:</td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Forschungsliteratur==</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Forschungsliteratur==</div></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Adorno, Theodor W.: Minima Moralia. Reflexionen aus dem beschädigten Leben. Frankfurt: Suhrkamp 2003 [zuerst 1951].</div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Adorno, Theodor W.: Minima Moralia. Reflexionen aus dem beschädigten Leben. Frankfurt<ins class="diffchange diffchange-inline">/M.</ins>: Suhrkamp 2003 [zuerst 1951].</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Auiler, Dan: Hitchcock&#039;s Notebooks. An Authorized and Illustrated Look Inside the Creative Mind of Alfred Hitchcock. New York: Harper 2001.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Auiler, Dan: Hitchcock&#039;s Notebooks. An Authorized and Illustrated Look Inside the Creative Mind of Alfred Hitchcock. New York: Harper 2001.</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Billheimer, John: Hitchcock and the Censors. Lexington: Kentucky UP 2019.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Billheimer, John: Hitchcock and the Censors. Lexington: Kentucky UP 2019.</div></td></tr> <tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l68" >Zeile 68:</td> <td colspan="2" class="diff-lineno">Zeile 68:</td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* [http://traumkulturen.uni-saarland.de/Lexikon-Traumkultur/index.php/Film_und_Traum_(1900-1930) Film und Traum (1900–1930)]</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* [http://traumkulturen.uni-saarland.de/Lexikon-Traumkultur/index.php/Film_und_Traum_(1900-1930) Film und Traum (1900–1930)]</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* [http://traumkulturen.uni-saarland.de/Lexikon-Traumkultur/index.php/%22Un_chien_andalou%22_(Luis_Bu%C3%B1uel)#Surrealismus_und_Traum Surrealismus und Traum]</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* [http://traumkulturen.uni-saarland.de/Lexikon-Traumkultur/index.php/%22Un_chien_andalou%22_(Luis_Bu%C3%B1uel)#Surrealismus_und_Traum Surrealismus und Traum]</div></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;"></del></div></td><td colspan="2"> </td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Anmerkungen==</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Anmerkungen==</div></td></tr> </table>

Manfred Engel
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http://traumkulturen.uni-saarland.de/Lexikon-Traumkultur/index.php?title=Film_und_Traum_(1930-1960)&diff=2223&oldid=prev 2021-03-01T09:21:34Z

<p></p> <table class="diff diff-contentalign-left diff-editfont-monospace" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="de"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Nächstältere Version</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Version vom 1. März 2021, 09:21 Uhr</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1" >Zeile 1:</td> <td colspan="2" class="diff-lineno">Zeile 1:</td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Während nach den stilprägenden expressionistischen und den experimentellen [http://traumkulturen.uni-saarland.de/Lexikon-Traumkultur/index.php/%22Un_chien_andalou%22_(Luis_Bu%C3%B1uel)#Surrealismus_und_Traum surrealistischen Filmen] in Europa durch die politischen Umbrüche und schließlich den Faschismus eine &#039;lange Verfallsperiode&#039; (vgl. Kracauer 1984, 9) einsetzt, wächst in der Zwischenkriegszeit zunehmend Nordamerika zum einflussreichen Produktionsplatz: Mit &quot;Universal Pictures&quot; und &quot;Paramount Pictures&quot; (beide 1912 gegründet) sowie in der Folge mit &quot;United Artists&quot; (1919), &quot;Warner Brothers&quot; (1923), &quot;Columbia Pictures&quot; (1924), &quot;Metro-Goldwyn-Mayer&quot; (MGM; 1924) und &quot;Radio-Keith-Orpheum Pictures&quot; (RKO; 1929) wird Hollywood, nahe Los Angeles in Kalifornien gelegen, zur &#039;dream factory&#039;, und das sogenannte &#039;Studiosystem&#039; zum Erfolgsmodell.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Während nach den stilprägenden expressionistischen und den experimentellen [http://traumkulturen.uni-saarland.de/Lexikon-Traumkultur/index.php/%22Un_chien_andalou%22_(Luis_Bu%C3%B1uel)#Surrealismus_und_Traum surrealistischen Filmen] in Europa durch die politischen Umbrüche und schließlich den Faschismus eine &#039;lange Verfallsperiode&#039; (vgl. Kracauer 1984, 9) einsetzt, wächst in der Zwischenkriegszeit zunehmend Nordamerika zum einflussreichen Produktionsplatz: Mit &quot;Universal Pictures&quot; und &quot;Paramount Pictures&quot; (beide 1912 gegründet) sowie in der Folge mit &quot;United Artists&quot; (1919), &quot;Warner Brothers&quot; (1923), &quot;Columbia Pictures&quot; (1924), &quot;Metro-Goldwyn-Mayer&quot; (MGM; 1924) und &quot;Radio-Keith-Orpheum Pictures&quot; (RKO; 1929) wird Hollywood, nahe Los Angeles in Kalifornien gelegen, zur &#039;dream factory&#039;, und das sogenannte &#039;Studiosystem&#039; zum Erfolgsmodell.</div></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;"></del></div></td><td colspan="2"> </td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Hollywood und Psychoanalyse==</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Hollywood und Psychoanalyse==</div></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Der Regisseur Alfred Hitchcock (1899–1980) – ja ohnehin mit seinen legendären Cameo-Auftritten ein &#039;Meister&#039; des Metareferentiellen – wendet sich im Skript für einen (wohl nie tatsächlich gedrehten) Trailer&lt;ref&gt;Das gesamte Trailer-Skript ist leicht erreichbar über: Nándor Bokor/Alain Kerzoncuf: Alfred Hitchcock’s Trailers, Part II. In: Senses of Cinema 36 (2005); https://www.sensesofcinema.com/2005/feature-articles/hitchcocks_trailers_part2/, Abschnitt III. Curiosities.&lt;/ref&gt; zu seinem gerade erscheinenden Film [<del class="diffchange diffchange-inline">http://traumkulturen.uni-saarland.de/Lexikon-Traumkultur/index.php/%22Spellbound%22_</del>(<del class="diffchange diffchange-inline">Alfred_Hitchcock</del>) &#039;&#039;Spellbound&#039;&#039;] (1945) persönlich an das Publikum:</div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Der Regisseur Alfred Hitchcock (1899–1980) – ja ohnehin mit seinen legendären Cameo-Auftritten ein &#039;Meister&#039; des Metareferentiellen – wendet sich im Skript für einen (wohl nie tatsächlich gedrehten) Trailer&lt;ref&gt;Das gesamte Trailer-Skript ist leicht erreichbar über: Nándor Bokor/Alain Kerzoncuf: Alfred Hitchcock’s Trailers, Part II. In: Senses of Cinema 36 (2005); https://www.sensesofcinema.com/2005/feature-articles/hitchcocks_trailers_part2/, Abschnitt III. Curiosities.&lt;/ref&gt; zu seinem gerade erscheinenden Film [<ins class="diffchange diffchange-inline">[&quot;Spellbound&quot; </ins>(<ins class="diffchange diffchange-inline">Alfred Hitchcock</ins>)<ins class="diffchange diffchange-inline">|</ins>&#039;&#039;Spellbound&#039;&#039;<ins class="diffchange diffchange-inline">]</ins>] (1945) persönlich an das Publikum:</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>: That screen up there is like a mind. We here in Hollywood can make anything happen there. We can also show you what a man dreams. Yes, we here in Hollywood can make anything happen on the screen – but our powers are dwarfed compared to what you [he turns to look into the audience] can make happen in your mind (zit. nach Auiler 2001, 558 f.).</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>: That screen up there is like a mind. We here in Hollywood can make anything happen there. We can also show you what a man dreams. Yes, we here in Hollywood can make anything happen on the screen – but our powers are dwarfed compared to what you [he turns to look into the audience] can make happen in your mind (zit. nach Auiler 2001, 558 f.).</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Hiermit scheint das Verhältnis von Traum und Hollywood, zwischen der &#039;Traumfabrik&#039; in Kalifornien und der traumdeutenden Psychoanalyse aus Europa, gut beschrieben: An die seit der Frühzeit des Kinos existierende Analogie von Film und Traum anknüpfend (vgl. Brütsch 2011), gibt es zwar durch Filmtricks und Spezialeffekte nahezu keine Grenzen der Imaginations- und damit Darstellungsmöglichkeiten. Doch ausgerechnet die Inszenierung von Träumen, die Suche nach einer realistischen Filmsprache des Traums, stellt weiterhin eine Herausforderung für die Hollywood-Regisseur:innen dar.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Hiermit scheint das Verhältnis von Traum und Hollywood, zwischen der &#039;Traumfabrik&#039; in Kalifornien und der traumdeutenden Psychoanalyse aus Europa, gut beschrieben: An die seit der Frühzeit des Kinos existierende Analogie von Film und Traum anknüpfend (vgl. Brütsch 2011), gibt es zwar durch Filmtricks und Spezialeffekte nahezu keine Grenzen der Imaginations- und damit Darstellungsmöglichkeiten. Doch ausgerechnet die Inszenierung von Träumen, die Suche nach einer realistischen Filmsprache des Traums, stellt weiterhin eine Herausforderung für die Hollywood-Regisseur:innen dar.</div></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;"></del></div></td><td colspan="2"> </td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>===Freud in the USA===</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>===Freud in the USA===</div></td></tr> <tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l22" >Zeile 22:</td> <td colspan="2" class="diff-lineno">Zeile 20:</td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Es schien daher den &#039;Umweg&#039; über die Theaterbühne und einen Broadway-Erfolg zu brauchen, bis &quot;die Theorien Sigmund Freuds seit dem 1941 uraufgeführten Musical &#039;&#039;Lady in the Dark&#039;&#039; in den USA zu einem Modethema geworden&quot; sind (Jendricke 1999, 79) und auch von Hollywood aufgegriffen werden: Der auf dem Musical basierende Film &#039;&#039;Lady in the Dark&#039;&#039; von 1944, inszeniert von Regisseur Mitchell Leisen (1898–1972), wurde von der Kritik für die innovativen Traumszenen gelobt und von der Filmakademie für drei Oscars nominiert.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Es schien daher den &#039;Umweg&#039; über die Theaterbühne und einen Broadway-Erfolg zu brauchen, bis &quot;die Theorien Sigmund Freuds seit dem 1941 uraufgeführten Musical &#039;&#039;Lady in the Dark&#039;&#039; in den USA zu einem Modethema geworden&quot; sind (Jendricke 1999, 79) und auch von Hollywood aufgegriffen werden: Der auf dem Musical basierende Film &#039;&#039;Lady in the Dark&#039;&#039; von 1944, inszeniert von Regisseur Mitchell Leisen (1898–1972), wurde von der Kritik für die innovativen Traumszenen gelobt und von der Filmakademie für drei Oscars nominiert.</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Mit diesem Erfolg scheint das Interesse, die Psychoanalyse auf die Leinwand zu bringen, enorm gewachsen – und so begibt sich etwa auch Filmproduzent David O. Selznick (1902–1965), der mit &#039;&#039;King Kong&#039;&#039; (1933) für RKO einen großen Erfolg eingefahren hatte und mit &#039;&#039;Gone with the Wind&#039;&#039; (1939) zehn Oscars gewinnen konnte, auf die Suche nach einem geeigneten Stoff und Regisseur. Fündig wurde er mit dem Roman &quot;The House of Dr. Edwardes&quot; der Schriftsteller John Palmer (1885–1944) und Hilary A. Saunders (1898–1951) – veröffentlicht 1927 unter dem gemeinsamen Pseudonym &quot;Francis Beeding&quot; – und dem britischen Regisseur Alfred Hitchcock, mit dem er bereits zuvor &#039;&#039;Rebecca&#039;&#039; (USA, 1940) nach dem Roman von Daphne du Maurier (1907–1989) in die Kinos gebracht hatte. Auch die neue Zusammenarbeit wurde unter dem Titel [<del class="diffchange diffchange-inline">http://traumkulturen.uni-saarland.de/Lexikon-Traumkultur/index.php/%22Spellbound%22_</del>(<del class="diffchange diffchange-inline">Alfred_Hitchcock</del>) &#039;&#039;Spellbound&#039;&#039;] ein finanzieller Erfolg und beeindruckte besonders durch die vom spanischen Maler Salvador Dalí (1904–1989) entworfenen Traumsequenzen (vgl. Engel 2020, 571-580).</div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Mit diesem Erfolg scheint das Interesse, die Psychoanalyse auf die Leinwand zu bringen, enorm gewachsen – und so begibt sich etwa auch Filmproduzent David O. Selznick (1902–1965), der mit &#039;&#039;King Kong&#039;&#039; (1933) für RKO einen großen Erfolg eingefahren hatte und mit &#039;&#039;Gone with the Wind&#039;&#039; (1939) zehn Oscars gewinnen konnte, auf die Suche nach einem geeigneten Stoff und Regisseur. Fündig wurde er mit dem Roman &quot;The House of Dr. Edwardes&quot; der Schriftsteller John Palmer (1885–1944) und Hilary A. Saunders (1898–1951) – veröffentlicht 1927 unter dem gemeinsamen Pseudonym &quot;Francis Beeding&quot; – und dem britischen Regisseur Alfred Hitchcock, mit dem er bereits zuvor &#039;&#039;Rebecca&#039;&#039; (USA, 1940) nach dem Roman von Daphne du Maurier (1907–1989) in die Kinos gebracht hatte. Auch die neue Zusammenarbeit wurde unter dem Titel [<ins class="diffchange diffchange-inline">[&quot;Spellbound&quot; </ins>(<ins class="diffchange diffchange-inline">Alfred Hitchcock</ins>)<ins class="diffchange diffchange-inline">|</ins>&#039;&#039;Spellbound&#039;&#039;<ins class="diffchange diffchange-inline">]</ins>] ein finanzieller Erfolg und beeindruckte besonders durch die vom spanischen Maler Salvador Dalí (1904–1989) entworfenen Traumsequenzen (vgl. Engel 2020, 571-580).</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>===&quot;Vulgär-Freud&quot;===</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>===&quot;Vulgär-Freud&quot;===</div></td></tr> <tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l30" >Zeile 30:</td> <td colspan="2" class="diff-lineno">Zeile 28:</td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>: Seitdem mit Hilfe des Films, der Seifenopern und der Horney [i.e. Karen Horney, 1885-1952, eine damals sehr populäre deutsch-amerikanische Psychoanalytikerin] die Tiefenpsychologie in die letzten Löcher dringt, wird den Menschen auch die letzte Möglichkeit der Erfahrung ihrer selbst von der organisierten Kultur abgeschnitten (ebd., 72).</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>: Seitdem mit Hilfe des Films, der Seifenopern und der Horney [i.e. Karen Horney, 1885-1952, eine damals sehr populäre deutsch-amerikanische Psychoanalytikerin] die Tiefenpsychologie in die letzten Löcher dringt, wird den Menschen auch die letzte Möglichkeit der Erfahrung ihrer selbst von der organisierten Kultur abgeschnitten (ebd., 72).</div></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;"></del></div></td><td colspan="2"> </td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>===&quot;Golden Age of Psychiatry&quot;===</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>===&quot;Golden Age of Psychiatry&quot;===</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Die Darstellung von Psychoanalyse und Psychotherapie wurde in den folgenden Jahren intensiver – und seriöser: Dieses &quot;Golden Age of Psychiatry&quot; im Hollywoodfilm (vgl. Young 2012, 50) ist dabei stark beeinflusst vom sich veränderten Verständnis von Psychologie und Psychiatrie, von Traum und Träumen.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Die Darstellung von Psychoanalyse und Psychotherapie wurde in den folgenden Jahren intensiver – und seriöser: Dieses &quot;Golden Age of Psychiatry&quot; im Hollywoodfilm (vgl. Young 2012, 50) ist dabei stark beeinflusst vom sich veränderten Verständnis von Psychologie und Psychiatrie, von Traum und Träumen.</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Ein Meilenstein im diskursiven Wissen stellt dabei die &#039;Entdeckung&#039; der REM-Schlafphase im Jahre 1953 durch Eugene Aserinsky (1921–1998) und Nathaniel Kleitman (1895–1999) dar (vgl. Mertens 2009, 89 f.), mit baldigen Auswirkungen auf die Künste: Denn anders als der noch stark von Freud beeinflusste [http://traumkulturen.uni-saarland.de/Lexikon-Traumkultur/index.php/<del class="diffchange diffchange-inline">%22Un_chien_andalou%22_(Luis_Bu%C3%B1uel)#Surrealismus_und_Traum surrealistischen Experimente</del>] – wie etwa [http://traumkulturen.uni-saarland.de/Lexikon-Traumkultur/index.php/%22Un_chien_andalou%22_(Luis_Bu%C3%B1uel) &#039;&#039;Un Chien Andalou&#039;&#039;] (Frankreich, 1929) – oder der Jungianisch inspirierte Episodenfilm &#039;&#039;Dreams That Money Can Buy&#039;&#039; (USA, 1947; vgl. Kracauer 1985, 256), versuchen spätere Produktionen sich diesem neuen Traumwissen nun auch mit neuen Traumbildern filmästhetisch anzunähern. <del class="diffchange diffchange-inline">So </del>verwendet etwa der schwedische Regisseur Ingmar Bergman (1918–2007) in seinem 1966 erschienenen Film <del class="diffchange diffchange-inline">[http://traumkulturen.uni-saarland.de/Lexikon-Traumkultur/index.php/%22Persona%22_(Ingmar_Bergman) </del>&#039;&#039;Persona&#039;&#039;<del class="diffchange diffchange-inline">] </del>ein programmatisches &quot;Aneinandermontieren kurzer Einstellungen verschiedener Gegenstände, Lebewesen und Szenarien, abrupte Szenenwechsel, Ansichten, die fragmentarisch bleiben, Zeitrafferaufnahmen, [oder] ungewohnte Bilder, die jähe Stimmungsumschwünge bewirken&quot; (Brütsch 2009, 36).</div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Ein Meilenstein im diskursiven Wissen stellt dabei die &#039;Entdeckung&#039; der REM-Schlafphase im Jahre 1953 durch Eugene Aserinsky (1921–1998) und Nathaniel Kleitman (1895–1999) dar (vgl. Mertens 2009, 89 f.), mit baldigen Auswirkungen auf die Künste: Denn anders als der noch stark von Freud beeinflusste [http://traumkulturen.uni-saarland.de/Lexikon-Traumkultur/index.php/] – wie etwa [http://traumkulturen.uni-saarland.de/Lexikon-Traumkultur/index.php/%22Un_chien_andalou%22_(Luis_Bu%C3%B1uel) &#039;&#039;Un Chien Andalou&#039;&#039;] (Frankreich, 1929) – oder der Jungianisch inspirierte Episodenfilm &#039;&#039;Dreams That Money Can Buy&#039;&#039; (USA, 1947; vgl. Kracauer 1985, 256), versuchen spätere Produktionen sich diesem neuen Traumwissen nun auch mit neuen Traumbildern filmästhetisch anzunähern. <ins class="diffchange diffchange-inline">Auch im europäischen Kino scheint sich die filmische Traumästhetik daraufhin zu verändern, und so </ins>verwendet etwa der schwedische Regisseur Ingmar Bergman (1918–2007) in seinem 1966 erschienenen Film &#039;&#039;Persona&#039;&#039; ein programmatisches &quot;Aneinandermontieren kurzer Einstellungen verschiedener Gegenstände, Lebewesen und Szenarien, abrupte Szenenwechsel, Ansichten, die fragmentarisch bleiben, Zeitrafferaufnahmen, [oder] ungewohnte Bilder, die jähe Stimmungsumschwünge bewirken&quot; (Brütsch 2009, 36).</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Gleichzeitig entstehen neue Figurentypen, sei es der erfolgreiche Baseball-Spieler, der sich in &#039;&#039;Fear Strikes Out&#039;&#039; (Robert Mulligan; USA, 1957) in eine psychische Institution begeben muss, sei es die Weiterentwicklung der geheimnisvollen &quot;femme fragile&quot; mit Persönlichkeitsstörungen – wie etwa die jungen Frauen in &#039;&#039;The Three Faces of Eve&#039;&#039; (Nunnally Johnson; USA, 1955) oder &#039;&#039;David and Lisa&#039;&#039; (Frank Perry; USA, 1962) – oder der Archetyp des Psychiaters (in diesen Filmen: Dr. Brown, Dr. Luther und Dr. Swinford).</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Gleichzeitig entstehen neue Figurentypen, sei es der erfolgreiche Baseball-Spieler, der sich in &#039;&#039;Fear Strikes Out&#039;&#039; (Robert Mulligan; USA, 1957) in eine psychische Institution begeben muss, sei es die Weiterentwicklung der geheimnisvollen &quot;femme fragile&quot; mit Persönlichkeitsstörungen – wie etwa die jungen Frauen in &#039;&#039;The Three Faces of Eve&#039;&#039; (Nunnally Johnson; USA, 1955) oder &#039;&#039;David and Lisa&#039;&#039; (Frank Perry; USA, 1962) – oder der Archetyp des Psychiaters (in diesen Filmen: Dr. Brown, Dr. Luther und Dr. Swinford).</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Ein letzter Höhepunkt dieses &#039;goldenen Zeitalters&#039; ist der Film <del class="diffchange diffchange-inline">[http://traumkulturen.uni-saarland.de/Lexikon-Traumkultur/index.php/%22Freud%22_(John_Huston) </del>&#039;&#039;Freud&#039;&#039;<del class="diffchange diffchange-inline">] </del>(USA, 1962) von John Huston (1906–1987), dessen ursprüngliches Drehbuch von Jean-Paul Sartre (1905-1980) geschrieben wurde, bevor sich im weitern Verlauf der 1960er und 1970er Jahren – womöglich auch vor dem Hintergrund des Vietnam-Kriegs und der massenweise in die USA traumatisiert heimkehrenden Soldaten (vgl. Nesselhauf 2017, 199 ff.) – das Bild der Psycholog:innen, Psychoanalytiker:innen und Psychiater:innen im Hollywood-Film radikal verändert: &quot;mental health experts were subjected to the skepticism that was applied to all established institutions&quot; (Young 2012, 50). So zeigt beispielsweise &#039;&#039;One Flew over the Cuckoo&#039;s Nest&#039;&#039; (USA, 1975) von Regisseur Miloš Forman (1932–2018) mit dem offiziellen Ende des &quot;Production Code&quot; in schonungsloser Radikalität auf, wie das psychiatrische System kaum noch der Therapierung dient und die Klinik längst kein Ort der Heilung mehr ist.</div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Ein letzter Höhepunkt dieses &#039;goldenen Zeitalters&#039; ist der Film &#039;&#039;Freud&#039;&#039; (USA, 1962) von John Huston (1906–1987), dessen ursprüngliches Drehbuch von Jean-Paul Sartre (1905-1980) geschrieben wurde, bevor sich im weitern Verlauf der 1960er und 1970er Jahren – womöglich auch vor dem Hintergrund des Vietnam-Kriegs und der massenweise in die USA traumatisiert heimkehrenden Soldaten (vgl. Nesselhauf 2017, 199 ff.) – das Bild der Psycholog:innen, Psychoanalytiker:innen und Psychiater:innen im Hollywood-Film radikal verändert: &quot;mental health experts were subjected to the skepticism that was applied to all established institutions&quot; (Young 2012, 50). So zeigt beispielsweise &#039;&#039;One Flew over the Cuckoo&#039;s Nest&#039;&#039; (USA, 1975) von Regisseur Miloš Forman (1932–2018) mit dem offiziellen Ende des &quot;Production Code&quot; in schonungsloser Radikalität auf, wie das psychiatrische System kaum noch der Therapierung dient und die Klinik längst kein Ort der Heilung mehr ist.</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> </table>

Jonas Nesselhauf
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Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

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Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578

Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /data/TRAUMKULT/Lexikon-Traumkultur/includes/libs/rdbms/database/Database.php on line 578
http://traumkulturen.uni-saarland.de/Lexikon-Traumkultur/index.php?title=Film_und_Traum_(1930-1960)&diff=2183&oldid=prev 2021-02-26T00:15:56Z

<p></p> <table class="diff diff-contentalign-left diff-editfont-monospace" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="de"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Nächstältere Version</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Version vom 26. Februar 2021, 00:15 Uhr</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l71" >Zeile 71:</td> <td colspan="2" class="diff-lineno">Zeile 71:</td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* [http://traumkulturen.uni-saarland.de/Lexikon-Traumkultur/index.php/Film_und_Traum_(1900-1930) Film und Traum (1900–1930)]</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* [http://traumkulturen.uni-saarland.de/Lexikon-Traumkultur/index.php/Film_und_Traum_(1900-1930) Film und Traum (1900–1930)]</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* [http://traumkulturen.uni-saarland.de/Lexikon-Traumkultur/index.php/%22Un_chien_andalou%22_(Luis_Bu%C3%B1uel)#Surrealismus_und_Traum Surrealismus und Traum]</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* [http://traumkulturen.uni-saarland.de/Lexikon-Traumkultur/index.php/%22Un_chien_andalou%22_(Luis_Bu%C3%B1uel)#Surrealismus_und_Traum Surrealismus und Traum]</div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Anmerkungen==</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Anmerkungen==</div></td></tr> <tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l93" >Zeile 93:</td> <td colspan="2" class="diff-lineno">Zeile 94:</td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Kategorie:Moderne]]</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Kategorie:Moderne]]</div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">[[Kategorie:Nachkriegszeit]]</ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">[[Kategorie:englisch]]</ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">[[Kategorie:USA]]</ins></div></td></tr> </table>

Manfred Engel
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http://traumkulturen.uni-saarland.de/Lexikon-Traumkultur/index.php?title=Film_und_Traum_(1930-1960)&diff=2182&oldid=prev 2021-02-26T00:06:58Z

<p><span dir="auto"><span class="autocomment">Forschungsliteratur</span></span></p> <table class="diff diff-contentalign-left diff-editfont-monospace" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="de"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Nächstältere Version</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Version vom 26. Februar 2021, 00:06 Uhr</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l48" >Zeile 48:</td> <td colspan="2" class="diff-lineno">Zeile 48:</td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Auiler, Dan: Hitchcock&#039;s Notebooks. An Authorized and Illustrated Look Inside the Creative Mind of Alfred Hitchcock. New York: Harper 2001.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Auiler, Dan: Hitchcock&#039;s Notebooks. An Authorized and Illustrated Look Inside the Creative Mind of Alfred Hitchcock. New York: Harper 2001.</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Billheimer, John: Hitchcock and the Censors. Lexington: Kentucky UP 2019.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Billheimer, John: Hitchcock and the Censors. Lexington: Kentucky UP 2019.</div></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Brütsch, Matthias: Dream Screen? Die Film/Traum-Analogie im theoriegeschichtlichen Kontext. In: <del class="diffchange diffchange-inline">Winfried </del>Pauleit <del class="diffchange diffchange-inline">et al. (Hg.): Das Kino träumt. Projektion, Imagination, Vision. Berlin: Bertz + Fischer </del>2009, 20–49.</div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Brütsch, Matthias: Dream Screen? Die Film/Traum-Analogie im theoriegeschichtlichen Kontext. In: Pauleit 2009, 20–49.</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Brütsch, Matthias: Traumbühne Kino. Der Traum als filmtheoretische Metapher und narratives Motiv. Marburg: Schüren 2011.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Brütsch, Matthias: Traumbühne Kino. Der Traum als filmtheoretische Metapher und narratives Motiv. Marburg: Schüren 2011.</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Dieterle, Bernard (Hg.): Träumungen. Traumerzählung in Film und Literatur. St. Augustin: Gardez! 1998.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Dieterle, Bernard (Hg.): Träumungen. Traumerzählung in Film und Literatur. St. Augustin: Gardez! 1998.</div></td></tr> <tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l63" >Zeile 63:</td> <td colspan="2" class="diff-lineno">Zeile 63:</td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Mitscherlich, Alexander: Gesammelte Schriften. Band VIII: Psychoanalyse. Frankfurt: Suhrkamp 1983 [zuerst 1947].</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Mitscherlich, Alexander: Gesammelte Schriften. Band VIII: Psychoanalyse. Frankfurt: Suhrkamp 1983 [zuerst 1947].</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Nesselhauf, Jonas: Der ewige Albtraum. Zur Figur des Kriegsheimkehrers in der Literatur des 20. und 21. Jahrhunderts. Paderborn: Fink 2017.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Nesselhauf, Jonas: Der ewige Albtraum. Zur Figur des Kriegsheimkehrers in der Literatur des 20. und 21. Jahrhunderts. Paderborn: Fink 2017.</div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">* Pauleit, Winfried et al. (Hg.): Das Kino träumt. Projektion, Imagination, Vision. Berlin: Bertz + Fischer 2009.</ins></div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* &quot;The 1930 Production Code.&quot; In: John Lewis: Hollywood vs. Hard Core. How the Struggle over Censorship Saved the Modern Film Industry. New York: New York University Press 2000, 302–307.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* &quot;The 1930 Production Code.&quot; In: John Lewis: Hollywood vs. Hard Core. How the Struggle over Censorship Saved the Modern Film Industry. New York: New York University Press 2000, 302–307.</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Young, Skip Dine: Psychology at the Movies. Malden, MA: Wiley-Blackwell 2012.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Young, Skip Dine: Psychology at the Movies. Malden, MA: Wiley-Blackwell 2012.</div></td></tr> <tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l70" >Zeile 70:</td> <td colspan="2" class="diff-lineno">Zeile 71:</td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* [http://traumkulturen.uni-saarland.de/Lexikon-Traumkultur/index.php/Film_und_Traum_(1900-1930) Film und Traum (1900–1930)]</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* [http://traumkulturen.uni-saarland.de/Lexikon-Traumkultur/index.php/Film_und_Traum_(1900-1930) Film und Traum (1900–1930)]</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* [http://traumkulturen.uni-saarland.de/Lexikon-Traumkultur/index.php/%22Un_chien_andalou%22_(Luis_Bu%C3%B1uel)#Surrealismus_und_Traum Surrealismus und Traum]</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* [http://traumkulturen.uni-saarland.de/Lexikon-Traumkultur/index.php/%22Un_chien_andalou%22_(Luis_Bu%C3%B1uel)#Surrealismus_und_Traum Surrealismus und Traum]</div></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;"></del></div></td><td colspan="2"> </td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Anmerkungen==</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Anmerkungen==</div></td></tr> </table>

Manfred Engel
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http://traumkulturen.uni-saarland.de/Lexikon-Traumkultur/index.php?title=Film_und_Traum_(1930-1960)&diff=2181&oldid=prev 2021-02-25T23:58:30Z

<p><span dir="auto"><span class="autocomment">&quot;Golden Age of Psychiatry&quot;</span></span></p> <table class="diff diff-contentalign-left diff-editfont-monospace" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="de"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Nächstältere Version</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Version vom 25. Februar 2021, 23:58 Uhr</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l35" >Zeile 35:</td> <td colspan="2" class="diff-lineno">Zeile 35:</td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Die Darstellung von Psychoanalyse und Psychotherapie wurde in den folgenden Jahren intensiver – und seriöser: Dieses &quot;Golden Age of Psychiatry&quot; im Hollywoodfilm (vgl. Young 2012, 50) ist dabei stark beeinflusst vom sich veränderten Verständnis von Psychologie und Psychiatrie, von Traum und Träumen.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Die Darstellung von Psychoanalyse und Psychotherapie wurde in den folgenden Jahren intensiver – und seriöser: Dieses &quot;Golden Age of Psychiatry&quot; im Hollywoodfilm (vgl. Young 2012, 50) ist dabei stark beeinflusst vom sich veränderten Verständnis von Psychologie und Psychiatrie, von Traum und Träumen.</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Ein Meilenstein im diskursiven Wissen stellt dabei die &#039;Entdeckung&#039; der REM-Schlafphase im Jahre 1953 durch Eugene Aserinsky (1921–1998) und Nathaniel Kleitman (1895–1999) dar (vgl. Mertens 2009, <del class="diffchange diffchange-inline">89f</del>.), mit baldigen Auswirkungen auf die Künste: Denn anders als der noch stark von Freud beeinflusste [http://traumkulturen.uni-saarland.de/Lexikon-Traumkultur/index.php/%22Un_chien_andalou%22_(Luis_Bu%C3%B1uel)#Surrealismus_und_Traum surrealistischen Experimente] – wie etwa [http://traumkulturen.uni-saarland.de/Lexikon-Traumkultur/index.php/%22Un_chien_andalou%22_(Luis_Bu%C3%B1uel) &#039;&#039;Un Chien Andalou&#039;&#039;] (Frankreich, 1929) – oder der Jungianisch inspirierte Episodenfilm &#039;&#039;Dreams That Money Can Buy&#039;&#039; (USA, 1947; vgl. Kracauer 1985, 256), versuchen spätere Produktionen sich diesem neuen Traumwissen nun auch mit neuen Traumbildern filmästhetisch anzunähern. So verwendet etwa der schwedische Regisseur Ingmar Bergman (1918–2007) in seinem 1966 erschienenen Film [http://traumkulturen.uni-saarland.de/Lexikon-Traumkultur/index.php/%22Persona%22_(Ingmar_Bergman) &#039;&#039;Persona&#039;&#039;] ein programmatisches &quot;Aneinandermontieren kurzer Einstellungen verschiedener Gegenstände, Lebewesen und Szenarien, abrupte Szenenwechsel, Ansichten, die fragmentarisch bleiben, Zeitrafferaufnahmen, [oder] ungewohnte Bilder, die jähe Stimmungsumschwünge bewirken&quot; (Brütsch 2009, 36).</div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Ein Meilenstein im diskursiven Wissen stellt dabei die &#039;Entdeckung&#039; der REM-Schlafphase im Jahre 1953 durch Eugene Aserinsky (1921–1998) und Nathaniel Kleitman (1895–1999) dar (vgl. Mertens 2009, <ins class="diffchange diffchange-inline">89 f</ins>.), mit baldigen Auswirkungen auf die Künste: Denn anders als der noch stark von Freud beeinflusste [http://traumkulturen.uni-saarland.de/Lexikon-Traumkultur/index.php/%22Un_chien_andalou%22_(Luis_Bu%C3%B1uel)#Surrealismus_und_Traum surrealistischen Experimente] – wie etwa [http://traumkulturen.uni-saarland.de/Lexikon-Traumkultur/index.php/%22Un_chien_andalou%22_(Luis_Bu%C3%B1uel) &#039;&#039;Un Chien Andalou&#039;&#039;] (Frankreich, 1929) – oder der Jungianisch inspirierte Episodenfilm &#039;&#039;Dreams That Money Can Buy&#039;&#039; (USA, 1947; vgl. Kracauer 1985, 256), versuchen spätere Produktionen sich diesem neuen Traumwissen nun auch mit neuen Traumbildern filmästhetisch anzunähern. So verwendet etwa der schwedische Regisseur Ingmar Bergman (1918–2007) in seinem 1966 erschienenen Film [http://traumkulturen.uni-saarland.de/Lexikon-Traumkultur/index.php/%22Persona%22_(Ingmar_Bergman) &#039;&#039;Persona&#039;&#039;] ein programmatisches &quot;Aneinandermontieren kurzer Einstellungen verschiedener Gegenstände, Lebewesen und Szenarien, abrupte Szenenwechsel, Ansichten, die fragmentarisch bleiben, Zeitrafferaufnahmen, [oder] ungewohnte Bilder, die jähe Stimmungsumschwünge bewirken&quot; (Brütsch 2009, 36).</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Gleichzeitig entstehen neue Figurentypen, sei es der erfolgreiche Baseball-Spieler, der sich in &#039;&#039;Fear Strikes Out&#039;&#039; (Robert Mulligan; USA, 1957) in eine psychische Institution begeben muss, sei es die Weiterentwicklung der geheimnisvollen &quot;femme fragile&quot; mit Persönlichkeitsstörungen – wie etwa die jungen Frauen in &#039;&#039;The Three Faces of Eve&#039;&#039; (Nunnally Johnson; USA, 1955) oder &#039;&#039;David and Lisa&#039;&#039; (Frank Perry; USA, 1962) – oder der Archetyp des Psychiaters (in diesen Filmen: Dr. Brown, Dr. Luther und Dr. Swinford).</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Gleichzeitig entstehen neue Figurentypen, sei es der erfolgreiche Baseball-Spieler, der sich in &#039;&#039;Fear Strikes Out&#039;&#039; (Robert Mulligan; USA, 1957) in eine psychische Institution begeben muss, sei es die Weiterentwicklung der geheimnisvollen &quot;femme fragile&quot; mit Persönlichkeitsstörungen – wie etwa die jungen Frauen in &#039;&#039;The Three Faces of Eve&#039;&#039; (Nunnally Johnson; USA, 1955) oder &#039;&#039;David and Lisa&#039;&#039; (Frank Perry; USA, 1962) – oder der Archetyp des Psychiaters (in diesen Filmen: Dr. Brown, Dr. Luther und Dr. Swinford).</div></td></tr> </table>

Manfred Engel
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